Steve Reich’s Piano Phase: What Are You Afraid Of?

It’s not everyday that a harpsichord recital leads to a riot, but apparently that’s what happened this past Sunday in Cologne. Iranian-American harpsichordist Mahan Esfahani attempted to perform a composer-sanctioned version of Steve Reich’s Piano Phase (1967) at the Cologne Philharmonie when members of the audience became disruptive. He was in the middle of a program of music taken from his recent recording, Time Present and Time Past, which sets the standard baroque harpsichord repertoire …

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Bach Violin Concertos: The Freiburger Barockorchester

The mission statement of Germany’s Freiburg Baroque Orchestra, founded in 1987, is to “enliven the world of Baroque music with new sounds.” Listen to their exceptional 2013 recording of J.S. Bach Violin Concertos on the Harmonia Mundi label and you’ll hear this philosophy on display. Yes, these performances feature period instruments, sparkling Baroque style, and occasional ornamentation. But they go far beyond historical performance practice. We’re reminded that, first and foremost, this is fun, …

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Shostakovich’s Enigmatic Sixth

Dmitri Shostakovich’s Sixth Symphony is an outlier…a rule breaker. At first glance, its form seems startlingly unbalanced and arbitrary. It’s cast in three movements rather than four: A slow, darkly ominous first movement followed by two short, almost frivolous scherzos. The result is schizophrenic and unsettling…a jarring juxtaposition of starkly contrasting moods. It’s the quintessential anti-heroic symphony, shattering our hopes and expectations. By the time we reach the final movement, a simultaneously …

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The 2016 Oscars: Nominees for Best Original Score

With the 88th Academy Awards ceremony coming up this Sunday, let’s finish the week with some film music. Here are this year’s nominees for “Best Original Score,” along with a few audio samples: “Carol” (Carter Burwell) This atmospheric score seems to pay homage to the musical language of Philip Glass. This passage contains all of the hallmarks of Glass’ vocabulary: a simple melody that grows out of repeating, undulating piano lines, triad-laden …

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Ravel’s Shéhérazade: L’indifférent

Impressionism celebrates the vague and the intangible…the ephemeral play of color and light and the blurring of reality and dreams. That’s the atmosphere that surrounds L’indifférent (“The Indifferent One”), the final movement of Maurice Ravel’s 1903 song cycle, Shéhérazade. The song’s text is from a collection of 100 poems (One Thousand and One Nights) by Ravel’s friend, Tristan Klingsor (pseudonym of Léon Leclère). It tells a vague, seductive story of unrequited passion and infatuation from afar. The poem’s narrator is attracted …

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The Tetzlaff Trio Plays Brahms

Piano Trio No. 1 in B major, Op. 8 is a piece that bookended the compositional career of Johannes Brahms. In 1854, it became the 21-year-old composer’s first published chamber music composition. As Brahms prepared for retirement over thirty years later in 1890, he returned to this early work for minor revisions. He said, “I didn’t provide it with a new wig, just combed and arranged its hair a little.” The revised version (featured below) is …

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The 2016 Classical Grammys

Here is an overview of the 2016 Grammy Awards in the classical categories, announced earlier this week. The list is dominated by twentieth century music, both familiar and obscure. Several of the albums are live concert recordings. Best Orchestral Performance “Shostakovich: Under Stalin’s Shadow — Symphony No. 10,” Andris Nelsons, conductor (Boston Symphony Orchestra) This is Andris Nelsons’ inaugural recording as Music Director of the Boston Symphony. The album includes Shostakovich’s Symphony No. …

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