Art Song

Richard Rodgers on Piano Roll

by

Today marks the 117th anniversary of the birth of Richard Rodgers (1902-1979). In his book, American Popular Song: The Great Innovators, 1900-1950, the composer and commentator Alec Wilder wrote, Of all the writers whose songs are considered and examined in this book, those of Rodgers show the highest degree of consistent excellence, inventiveness, and sophistication … After spending weeks playing his songs, I am more than impressed and respectful: I am astonished. Melodies seem …

Read more

Bernard Haitink’s Farewell

by

Bernard Haitink, one of the world’s most esteemed maestros, conducted his final concert at Amsterdam’s Concertgebouw on Saturday. In January, it was announced that the 90-year-old Dutch conductor would take a sabbatical. In a recent interview with de Volkskrant, Haitink suggested that this would most likely be retirement. Haitink became chief conductor of the Royal Concertgebouw Orchestra in 1961, a position he held for 27 years. Additionally, he served as principal conductor of the London …

Read more

Cole Porter at 128: Five Enduring Songs

by

Yesterday was the 128th anniversary of the birth of Cole Porter (1891-1964). Born in Peru, Indiana to a wealthy family, Porter rose to prominence in the 1920s and 30s as one of Broadway’s greatest songwriters. His sublime, distinctive melodies and dizzyingly sophisticated lyrics—the delightfully comic portmanteau, ”Tin-Pantithesis,” is just one example—continue to endure even as the cultural references in his crackling list songs, like You’re the Top, fade. In this way, Porter’s work now falls …

Read more

Berlioz for Spring

by

Hector Berlioz’ song cycle, Les nuits d’été, Op. 7  (“Summer Nights”), based on the poetry of Théophile Gautier, dramatizes the progression of love from youthful innocence, to death, to ultimate rebirth. Villanelle, the first of the six songs, evokes the arrival of spring and the joyful exuberance of young love. The text celebrates the abundance of nature, from flowers and berries to the wildlife of the forest. Berlioz’ song, composed on March 23, 1840, teems …

Read more

Happy Birthday, Stephen Sondheim

by

The American composer and lyricist Stephen Sondheim turns 89 today. In Sondheim’s songs, music, lyric, character, and dramatic situation blend seamlessly and inseparably. The kind of plot-driven Broadway musical championed in the 1940s and 50s by Rodgers and Hammerstein reached its zenith of sophistication in the works of Sondheim, which include Company (1970), Follies (1971), A Little Night Music (1973), Sweeney Todd (1979), Sunday in the Park with George (1984), and Into the Woods (1987). These are symphonic scores filled with motivic threads. The songs …

Read more

“To the Distant Beloved”: Schumann’s Obsession with a Beethoven Song

by

In the final movement of Robert Schumann’s Symphony No. 2 in C Major, an unassuming but persistent motivic cell emerges which propels the Symphony towards its majestic and triumphant culmination. Around three minutes in, all of the music’s forward momentum comes to a halt on a somber C minor cadence. Then, this motive is introduced by the woodwinds. It repeats in other voices throughout the orchestra and develops into an exalted and joyful proclamation. …

Read more

Remembering Sanford Sylvan

by

The renowned American baritone Sanford Sylvan passed away suddenly last week. He was 65. Sylvan’s career on the opera stage included premieres of works by John Adams, Philip Glass, Peter Maxwell Davies and Christopher Rouse. He was the first to perform the role of Chou En-lai in Nixon in China (1987) and Leon Klinghoffer in The Death of Klinghoffer (1991). In addition, he premiered Adams’ haunting setting of Walt Whitman’s poem, The Wound Dresser. He was an …

Read more