Concerto

Prokofiev’s Third Piano Concerto: The Greatest C Major Riff of All Time?

by

Musician, teacher, and producer Rick Beato shares some interesting insights into Prokofiev’s Third Piano Concerto in a recent video at his channel, Everything Music. He calls this passage from the first movement “the greatest riff of all time written with only the white keys.” It’s a stream of notes which seems as fluid and inevitable as any jazz keyboard riff- an unrelenting, anticipation-building, virtuosic romp, completely in white-key C major until one stray G-sharp sneaks in at the last …

Read more

New Release: Anne Akiko Meyers’ “Fantasia”

by

Violinist Anne Akiko Meyers’ newly-released album, Fantasia, opens with a beautiful, shimmering Scandinavian soundscape. Written in 2015, the Fantasia for violin and orchestra is one of the final works of Finnish composer, Einojuhani Rautavaara (1928-2016). In his early days a composer of 12-tone music, Rautavaara is best known for the mystical neo-romanticism of later pieces such as Cantus Arcticus (“Concerto for Birds and Orchestra”) and Symphony No. 7, “Angel of Light. Meyers talks about her commission of the fifteen-minute-long elegy and her …

Read more

The “Philadelphia Sound” in Five Historic Recordings

by

These days, the professional orchestra world is characterized by unparalleled technical skill, dutiful attention to historically-informed performance practice, and a general homogenization of sound and style. Musicians are expected to transition, instantly and seamlessly, from the lush Romanticism of Tchaikovsky to the lean purity of Mozart, with the mixed meters of Stravinsky and John Adams thrown in for good measure. In many ways, it’s the best of times. Perhaps what has been …

Read more

Grieg’s Piano Concerto: Color and Atmosphere

by

It’s one of the most memorable opening statements in all of music history. Edvard Grieg’s Piano Concerto in A minor begins with the ominous rumble of a timpani roll and then a sudden, bold proclamation in the solo piano which seems to say, “Here I am.” The music which follows has echoes of the hushed restlessness of Robert Schumann’s Piano Concerto, also in A minor, and the larger-than-life bravura of Franz Liszt, who read through the Concerto …

Read more

Jascha Heifetz in Concert: Five Amazing Clips

by

There is no top. There are always farther heights to reach. If one thought himself at the pinnacle, he would slide back toward mediocrity by that very belief in his success. -Jascha Heifetz Watch performance clips of Jascha Heifetz (1901-1987), and you may get a vague sense of the supernatural. Is Heifetz playing the violin or is some much larger force at work, playing through him? A searing, highly-controlled energy and a fearless …

Read more

Aida Garifullina: Maria’s Lullaby from Tchaikovsky’s “Mazeppa”

by

Over the past few weeks, we have explored a few of the albums honored with a 2017 ECHO Klassik- Germany’s prestigious annual classical music awards. Today, we’ll turn our attention to the debut album of Russian operatic soprano Aida Garifullina. The recording, simply titled Aida Garifullina, won in the category of “Solo Recording/Voice (Arias/Recitals).” It’s a compilation of arias and songs by composers including Tchaikovsky, Rachmaninov and Rimsky-Korsakov. Garifullina is accompanied by Vienna’s ORF Radio-Symphonieorchester Wien and conductor Cornelius …

Read more

Giovanni Antonini and Il Giardino Armonico Play Telemann

by

Georg Philipp Telemann (1681-1767) wrote extensively for the recorder. One of his most popular works is the Suite for Recorder, Strings & Continuo in A Minor, TWV 55:A2, a seven-movement piece which takes a virtual tour of Europe. The first movement is a French overture (a form first developed in ballet overtures of Jean-Baptiste Lully in the 1650s). The third movement is an Air à l’Italienne, while the final movement, a spirited Polonaise, seems to have …

Read more