Concerto

James Ehnes’ New Vivaldi Recording

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Vivaldi’s Four Seasons may be the most recorded piece ever written, but that doesn’t mean there isn’t room for another great new addition to the catalogue. The newest contribution comes from Canadian-born violinist James Ehnes who has just released a Four Seasons disc with the Sydney Symphony Orchestra on the Onyx Classics label. It’s always fun to hear different approaches to these famous Vivaldi concertos, some using baroque instruments and performance practice. Here, you’ll hear a …

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Happy Birthday, Yo-Yo Ma

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The Listeners’ Club wishes Yo-Yo Ma, who turns 60 today, a happy birthday. Ma is one of a handful of front-rank musicians who can be described as a cultural ambassador. Over the years, he has been at home, not only at Carnegie Hall but also on Sesame Street (watch “The Jam Session,” “The Honker Quartet,” and “Elmo’s Fiddle Lesson”), Mister Rogers’ Neighborhood, and at a presidential inauguration. At the age of seven he performed for President John F. Kennedy. …

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Four Musical Ways to Say Goodbye

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Earlier in the month, we listened to the final movement of Mahler’s Das Lied von der Erde, a song cycle about death, renewal, and immortality. Written in the final years of Mahler’s life, Das Lied von der Erde, along with the Ninth Symphony (completed in 1909), were Mahler’s swan songs. (He completed one movement of a Tenth Symphony before his death in 1911). Both completed works leave us with a sense of finality, …

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Gabriela Montero’s New Recording: Rachmaninov and “Ex Patria"

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Venezuelan pianist Gabriela Montero is reinvigorating an old tradition: She performs all of the standard repertoire, yet she’s equally dedicated to improvising and performing her own compositions. She infuses her concerts with a refreshing sense of excitement and spontaneity, frequently improvising on melodies volunteered by the audience. The subjects of her improvisations have run the gamut from the theme from Harry Potter  and “Happy Birthday” to J.S. Bach’s Goldberg Variations and Rachmaninov’s Third Piano Concerto. In the eighteenth and nineteenth centuries, …

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Dmitry Sinkovsky’s Hardcore Vivaldi

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  There’s an old joke that Antonio Vivaldi didn’t write 500 concertos, he wrote the same concerto 500 times. Vivaldi’s own performances were undoubtedly infused with a virtuosic freedom and sense of spontaneity that grew out of improvisation and ornamentation. Robbed of these elements, modern performances of Vivaldi can sometimes sound formulaic, like bland elevator music. But if you want to hear just how exciting and adventurous Vivaldi’s music can be, listen …

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The Recorded Legacy of Ginette Neveu

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Tomorrow marks the 96th anniversary of the birth of French violinist Ginette Neveu. At the time of her tragic death at the age of 30 in an airplane crash, Neveu was widely regarded as one of the finest violinists of her generation. Her playing was characterized by an almost otherworldly fire and searing intensity. Her recordings exhibit a natural perfection of phrasing and a soulfulness of sound that cut through the limitations …

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Kenji Bunch: New American Sounds

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If you’re near Chicago this evening, head down to the Loop and swing by the Pritzker Pavilion at Grant Park. Conductor Carlos Kalmar and the Grant Park Orchestra will give the world premiere performance of Kenji Bunch’s Symphony No. 3: Dream Songs. The work is based on Native American folksongs and texts collected in 1879 by the Smithsonian Institution’s Bureau of American Ethnology. The Bureau’s preservation of the last vestiges of tribal music seems …

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