Contemporary/Twenty-First Century

New Release: Teddy Abrams and the Louisville Orchestra’s “All In”

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In September, the Louisville Orchestra released All In, its first recording in nearly 30 years. The album, which reached number one on Billboard’s Traditional Classical Chart, is filled with youthful energy and a thrilling disregard for boundaries. It opens with the music of the Louisville Orchestra’s dynamic, 30-year-old Music Director Teddy Abrams, a conductor, composer, clarinetist, pianist, and force of nature. Unified Field unfolds in four continuous movements and runs the gamut from cinematic impressionist colors, to …

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A Gradual Zoom Outward: Timo Andres’ “Checkered Shade”

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Checkered Shade, a 2014 chamber work by American composer Timo Andres (b. 1985), demonstrates that the repetitive, pulse-based minimalism of early Steve Reich and John Adams still provides fertile musical ground. The piece opens with pulsating string harmonics reminiscent of Adams’ Shaker Loops or Common Tones in Simple Time, both written in 1979. One passage suggests the cartoonish bombast of the final movement of Adams’ rule-breaking Grand Pianola Music. All of this is interspersed with jazzy flute licks and …

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Light Meets Sound: Christopher Cerrone’s “South Catalina”

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Our perceptions of light and sound overlap in some interesting ways. Both travel through the air in waves and bounce off walls. In music, tone is often described in terms of “color,” “dark,” and “bright.” Glistening splashes of light formed the inspiration for South Catalina (2014), a sextet by American composer Christopher Cerrone (b. 1984). Inspired by an art instillation, the piece evokes piercing brilliance, as well as mystery. As with the constantly-changing play of …

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Excerpts from Houston Grand Opera’s Adventurous Discography

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The water is receding and the cleanup begins in Houston’s hard-hit theater district. The Wortham Theater Center, home of Houston Grand Opera, experienced significant flooding from Hurricane Harvey with water reaching the top of one of the complex’s stages. Referencing a recent staging of Wagner’s Ring Cycle, the company put out a statement this week including the following lines,  Houston Grand Opera will recover and deliver a fantastic season to our patrons, giving them the …

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New Release: Maya Beiser’s TranceClassical

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The sounds of the twenty-first century are largely electronic and computer processed. In this environment, a recording can become a work of art in its own right, not just a feeble attempt to recreate a live concert experience. I was reminded of this over the past few days as I sampled cellist Maya Beiser’s newly-released album, TranceClassical. Beiser, an Israeli-born American (her mother is French and her father is Argentine) who graduated from Yale …

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The 2016 Oscars: Nominees for Best Original Score

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With the 88th Academy Awards ceremony coming up this Sunday, let’s finish the week with some film music. Here are this year’s nominees for “Best Original Score,” along with a few audio samples: “Carol” (Carter Burwell) This atmospheric score seems to pay homage to the musical language of Philip Glass. This passage contains all of the hallmarks of Glass’ vocabulary: a simple melody that grows out of repeating, undulating piano lines, triad-laden …

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Musical Humidity: Michael Torke’s "Tahiti"

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  When you listen to the music of the most time-tested, enduring composers, it’s easy to get a sense of effortless perfection, as if the music couldn’t be any other way. It’s impossible to know if Michael Torke, or any other living composer, will one day fall into the “enduring” category. But I often sense this quality in Torke’s music. It speaks with sublime honesty. A strange combination of elements emerge in …

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