Solo Keyboard

Chopin’s “Barcarolle in F-Sharp Major”: Krystian Zimerman

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Frédéric Chopin’s Barcarolle in F-sharp Major, Op. 60 feels dreamy and autumnal. Its serene, wistful, rocking rhythm transports us far beyond the Venetian gondolier associations we might typically expect in a barcarolle. Musical Romanticism is all about the moment, pulling us into the expressive pathos of a single chord. We get a sense of this mysterious process at work as this music unfolds, from the quiet, shimmering transcendence of this passage, to the shifting harmonic …

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Brahms’ Intermezzo in A Major, Op. 118, No. 2: Stephen Kovacevich

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Johannes Brahms’ Intermezzo in A Major, Op. 118, No. 2 pulls us into a world of dreamy nostalgia, quiet longing, and majestic, serene beauty. It comes from the set of Six Piano Pieces (Klavierstücke), Op. 118 from Brahms’ “autumnal” late period. Listen to the way those unlikely first three notes set the entire piece in motion. As it unfolds and develops, you may sense that the music is “searching” for a way forward, attempting to find …

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Rachmaninov’s Second Piano Sonata: Horowitz at Carnegie Hall, 1968

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He swallowed it whole…He had the courage, the intensity, and daring that make for greatness. This is how Sergei Rachmaninov described Vladimir Horowitz’ performance of his Third Piano Concerto- a piece so difficult to play that it even intimidated the composer. Rachmaninov and Horowitz came face to face at New York’s Steinway Hall in January, 1928. It was the violinist Fritz Kreisler who brought them together, telling the composer “some young Russian plays [the] Third …

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Aftertones of Gymnopédie: Channeling the Spirit of Satie

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Yesterday marked the 152nd anniversary of the birth of the colorfully eccentric French avant-garde composer, Erik Satie (1866-1925). Satie had a profound influence on later composers, from Debussy, Ravel, and Milhaud, to the neoclassicism of Stravinsky. Even more amazing is the way Satie’s music anticipates the minimalist and ambient styles of the late twentieth century. The three serene Gymnopédies for solo piano, completed in 1888, remain Satie’s most famous and powerfully evocative works. With sublime, …

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On a Roll: Music Inspired by the Pianola

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“The main business of humanity is to do a good job of being human beings,” said Paul, “not to serve as appendages to machines, institutions, and systems.” -Kurt Vonnegut, Player Piano I foresee a marked deterioration in American music and musical taste, an interruption in the musical development of the country, and a host of other injuries to music in its artistic manifestations, by virtue -or rather by vice -of the multiplication …

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Eight Composers on Piano Roll

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When you consider the piano roll, what kind of music comes to mind? Probably Scott Joplin’s elegant rags, or perhaps the exuberant swing of Tin Pan Alley. Interestingly, a number of less likely composers, from Mahler and Debussy to the 80-year-old Camille Saint-Saëns, were recorded on piano rolls in the early years of the twentieth century. In some cases, these are the only historical record of the composer’s playing. Additionally, they offer …

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Clara Haskil Plays Mozart

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As Clara sat down “the music materialized as if from nowhere. Her arm seemed to glide over the keyboard without preparation, just as a flat stone skims across the water. This was so typical of her playing; nothing seemed to start or end, and everything became timeless.” This is how the late German pianist, composer, and teacher Peter Feuchtwanger described the musicianship of Clara Haskil (1895-1960). The legendary Romanian-born pianist is remembered as …

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