Opera

New Release: Handel’s Rarely-Heard “Ottone”

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Ottone, Handel’s 1723 tragic opera, tells the story of a bloody Roman coup and the marriage of the German emperor Otto II with the Byzantine princess Theophanu around the year 1000 AD. It was one of the composer’s most successful hits, coming at a time when Italian opera was wildly popular in London. Handel assembled a superstar cast for the first performances at London’s Haymarket Theatre, where the value of scalped tickets soared. Ottone also …

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“Francesca da Rimini”: Rachmaninov’s Symphonic Opera

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On Wednesday, we heard Tchaikovsky’s thrilling 1876 orchestral tone poem, Francesca da Rimini. The composer was fascinated with the story from Dante’s Inferno, and first considered turning it into an opera. When that project failed to materialize, Tchaikovsky’s brother, Modest, persuaded him that the subject was ripe for a dramatic tone poem. Sergei Rachmaninov’s opera, Francesca da Rimini, set to a libretto by Modest Tchaikovsky, premiered thirty years later in January, 1906. It’s a short work …

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“Der Rosenkavalier,” Renée Fleming, and the Passing of Time

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Time is a strange thing. While one is living one’s life away, it is absolutely nothing. Then, suddenly, one is aware of nothing else. It is all around us – inside us, even! It shifts in our faces, swirls in the mirror, flows in my temples. It courses between you and me – silent, as in an hourglass. Oh, often I hear it flowing, irrevocably. Often I get up in the middle of …

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The Power of Six Notes: Exploring the “Dresden Amen”

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On Friday, we listened to a few excerpts from Wagner’s epic final opera, Parsifal. Today, let’s return to one of Parsifal‘s most powerful and persistently recurring leitmotifs: the majestic, ascending six-note motive known as the “Dresden Amen.” This liturgical chord sequence was written by Johann Gottlieb Naumann (1741-1801) for use in Dresden’s court chapel some time in the late 18th century. It spread quickly to both Catholic and Lutheran churches throughout the German state of Saxony …

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Wagner’s Parsifal: The “Good Friday Spell”

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Heroic sacrifice, compassion, healing, and rebirth…these are central themes of Wagner’s last opera, Parsifal. Unfolding over nearly five hours, Parsifal was conceived as a solemn mystical experience- a Gesamtkunstwerk (“total work of art”) blending Christian and Buddhist symbolism and Schopenhauerian philosophy. The story, based on a 13th-century epic verse by German poet Wolfram von Eschenbach, depicts the Arthurian knight Parsifal’s quest for the Holy Grail- the chalice that held the wine of Christ at the Last Supper. One of the opera’s …

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Puccini’s Turandot: Five Key Moments

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In Wednesday’s post, we heard a few examples of Puccini’s flirtations with impressionism. Puccini’s final opera, Turandot is filled with colorful orchestration and adventurous harmony which evokes the exotic atmosphere of the mythic story: Princess Turandot, determined to never marry, takes revenge on her suitors through a series of riddles. Failure to answer correctly results in the suitor’s execution. Here are five key moments from the opera: Signore, ascolta!  Calaf, the young Prince of Tartary, catches sight of …

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Puccini the Impressionist

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Longtime readers of The Listeners’ Club may recall that this is the time of year when the Richmond Symphony often travels throughout the state as the pit orchestra for Virginia Opera. This year, we’ve been playing Giacomo Puccini’s Turandot. With lush, soaringly romantic melodies, Puccini’s operas are some of the most rewarding to play, from the perspective of a string player. Puccini’s music also brings drama and characterization to life in uniquely powerful ways. For example, listen …

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