Remembering Jessye Norman: Eight Extraordinary Recordings

Jessye Norman, the legendary American opera singer and recitalist, passed away on Monday. She was 74. Norman was born in the segregated south in Augusta, Georgia. She was surrounded by music at an early age, listening to radio broadcasts of operas and singing in church as a child. At the age of 16, she was offered a full scholarship to Howard University where she studied voice with Carolyn Grant. She went on …

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Inmo Yang Plays Paganini

Last weekend, the Richmond Symphony’s season opened with concerts led by Marin Alsop. The program, perhaps one of the most memorable of my career in the RSO, included a performance of Paganini’s First Violin Concerto by the young Korean violinist, Inmo Yang. Yang, who was awarded First Prize at the 2015 Paganini Competition, brought more than stunning technique and poise. The Concerto was infused with the elegance and bel canto warmth of Italian opera. …

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Liszt’s Second Piano Concerto: Khatia Buniatishvili in Concert

Franz Liszt’s Second Piano Concerto begins with a hauntingly romantic melody. We hear it first in the solo clarinet, accompanied by a woodwind chorale. For a composer whose music is often filled with larger-than-life virtuoso bravura, these quiet opening bars seem surprisingly unassuming, perhaps even lamenting. They open the door to the magic and mystery of the piano’s entrance a moment later, in which the melody is outlined in arpeggios which seem …

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Clara Schumann at 200

Composing gives me great pleasure. There is nothing which surpasses the joy of creation, if only because through it one wins hours of self-forgetfulness, when one lives in a world of sound. – Clara Schumann (a diary entry from June, 1853) Today is the 200th anniversary of the birth of Clara Schumann (1819-1896). This week, we have explored Clara’s influence on the music of her husband, Robert Schumann, and close friend, Johannes …

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Schumann’s Fourth Symphony: A Continuous Drama in Cyclic Form

Robert Schumann’s Symphony No. 4 in D minor begins with a bold announcement in the form of a single, multi-octave-deep “A”. It’s a musical “call to order” which seems to establish the blank, open-ended canvas on which the Symphony will develop. The first brushstroke to fall on this canvas is a descending motif which is the seed out of which the entire Symphony grows. This is the famous “Clara Theme” we explored in …

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Schumann and Brahms: Musical Depictions of Clara

This Friday marks the two hundredth anniversary of the birth of Clara Schumann (1819-1896). Clara Wieck Schumann looms large in music history. With a concert career spanning 61 years, she was one of the greatest pianists of the Romantic period. She is credited with elevating the repertoire of the piano recital, replacing bravura showpieces with substantial, mature works. She was an influential teacher at Frankfurt’s Hoch Conservatory. As a composer, she contributed piano …

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Saint-Saëns’ “Egyptian” Piano Concerto: A Voyage to Exotic Lands

We often associate musical exoticism with Claude Debussy and other French impressionists. In this music, the Eastern sounds and scales of the Javanese gamelan, famously introduced at the 1889 Paris Exposition, waft into a colorful, new dreamscape. Yet tantalizing glimpses of this bold, new musical landscape emerge, surprisingly, in the Fifth Piano Concerto of another French composer, Camille Saint-Saëns. Saint-Saëns (1835-1921) was born a generation before Debussy. The young, rebellious Debussy considered Saint-Saëns’ music to …

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