Romantic Period

Dvořák’s “New World Symphony”: Alan Gilbert and the New York Philharmonic

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On Friday, it was announced that conductor Alan Gilbert will take the reins of Hamburg’s NDR Elbphilharmonie Orchestra as its next chief conductor. Between 2004 and 2015, Gilbert served as the ensemble’s principal guest conductor. (Back in January, I wrote about the opening of the NDR Elbphilharmonie Orchestra’s spectacular new landmark concert hall, which floats above Hamburg’s harbor like a giant, glistening, icy wave). Alan Gilbert’s final performance as music director of the New York …

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Music For Midsummer’s Eve

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Today is Midsummer’s Eve in Sweden. Held each year around the summer solstice, Midsummer festivities have roots in ancient pagan rituals. With countryside bonfires and maypole dances, Swedes and other Scandinavians mark the beginning of a brief period of warmth and extended daylight after many dark, cold months. This time of year, in northern Sweden the sun never sets, while in the south it sets for only an hour or two. Midsummer’s Eve in …

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Mahler’s Evolution From Song to Symphony

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Gustav Mahler’s music is full of sardonic humor- passages which seem, at once, frivolous and chillingly grotesque. You can hear this in the song cycle, Des Knaben Wunderhorn (“The Youth’s Magic Horn”). The twelve songs, published in 1905, are drawn from a collection of 723 anonymous German folk poems, compiled between 1805 and 1808 by Ludwig Achim von Arnim and Clemens Brentano. The 27-year-old Mahler was conducting in Leipzig when he discovered the anthology. …

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Elgar’s “Nimrod”: Sir Colin Davis and the LSO

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Sir Edward Elgar’s Enigma Variations, completed in 1899, are the musical embodiment of the idea that our lives are all shaped by a close circle of friends and acquaintances. Elgar offered the following description in 1911: This work, commenced in a spirit of humour and continued in deep seriousness, contains sketches of the composer’s friends. It may be understood that these personages comment or reflect on the original theme and each one attempts …

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“Francesca da Rimini”: Tchaikovsky’s Turbulent, Dante-Inspired Tone Poem

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Francesca da Rimini, Tchaikovsky’s turbulent orchestral tone poem, begins at the entrance of Hell. Following a ferocious flash in the low strings and the haunting overtones of the tamtam, a grim, quietly grating brass statement almost seems to intone the ominous words from Dante’s Divine Comedy: “Abandon all hope, you who enter here.” In these opening bars, which Tchaikovsky marks, Andante lugubre, there are subtle, fleeting hints of the tritone, historically nicknamed the “Devil’s interval” because of its dissonance. …

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Exploring the Sarabande Over 400 Years

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No one seems to be sure, exactly, about the roots of the sarabande as a dance form. It may have originated in Mexico or some other part of Latin America. It was popular in the Spanish colonies during the sixteenth and seventeenth centuries. The zarabanda was first mentioned in a 1593 poem, Vida y tiempo de Maricastaña, written in Panama by Fernando de Guzmán Mejía. As a dance, it was so spicy that it was considered …

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New Release: Arcadi Volodos Plays Brahms

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Johannes Brahms’ three Op. 117 Intermezzos are a mix of serene, autumnal beauty, solitary introspection, and underlying sadness. Brahms wrote these solo piano works in the summer of 1892 with his longtime friend, Clara Schumann in mind. He described them as “lullabies of my sorrow.” The score is inscribed by a quotation from a Scottish poem from Johann Gottfried Herder’s Volkslieder: Sleep softly my child, sleep softly and well ! It hurts my heart to see …

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