Mendelssohn’s Second String Quartet: Beyond Teenage Love

We don’t know any of the details- not even her name. But in 1827 the 18-year-old Felix Mendelssohn seems to have fallen head over heels in love. In June of that year, Mendelssohn was inspired to write the words and music for a love song called Frage, Op. 9 (“Question”). The short song is full of teasingly hesitant questions which find contented resolution in a plagal cadence which evokes the serene, dreamy final bars of …

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The Wild Harmonic Adventures of Liszt’s Concert Study No. 3, “Un Sospiro”

On a technical level, Franz Liszt’s Concert Study No. 3 in D-flat Major, “Un Sospiro” is a skillfully delivered magic trick. Its score sprawls onto three musical staves and it sounds as if it requires, at minimum, three large and dexterous hands. But all of these voluptuous tones are played using an amazing slight of hand. The melody line alternates between the pianist’s left and right hands while the surrounding arpeggios remain smooth and …

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New Sibelius Release: Osmo Vanska and the Minnesota Orchestra

Finnish conductor Osmo Vänskä and the Minnesota Orchestra released an exiting new album this past Friday. The recording, produced on the Swedish label BIS Records, features Jean Sibelius’ Third, Sixth, and Seventh Symphonies. It concludes Vänskä’s celebrated, Grammy-Award-winning Sibelius cycle with the Minnesota Orchestra- a project launched in 2012 and temporarily halted by a fifteen-month-long management-imposed lockout. Recorded in June of 2015, this latest disk is a Super Audio CD with surround sound technology, which …

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Three B’s for the First Day of School

 The essential conditions of everything you do must be choice, love, passion. To study music, we must learn the rules. To create music, we must break them. Without discipline, there can be no freedom. Music was not invented by the composer, but found. -Nadia Boulanger It’s that time of year again. As students of all ages head back to school, let’s listen to education-related pieces by the three B’s…Brahms, Boulanger, and Barber. …

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Elgar’s Cello Concerto: Elegy for a Vanishing World

The music of Sir Edward Elgar (1857-1934) is often characterized as stately and regal- the musical embodiment of everything British. You can hear this in the majestically celebratory final moments of the Enigma Variations or the Imperial March, Op. 32, music written for the 1897 Diamond Jubilee of Queen Victoria. Both pieces propelled Elgar to fame. The stirring Pomp and Circumstance Military Marches provide a glimpse of the self assurance, order, and security of the British …

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Bruckner’s Sixth Symphony: A Cathedral of Sound

Listening to Anton Bruckner’s monumental, gradually unfolding symphonies has been compared to walking around a cathedral and experiencing the same massive, awe-inspiring structure from different vantage points. On June 19, conductor Christoph Eschenbach and the Frankfurt Radio Symphony Orchestra took that literally with a performance of Bruckner’s Symphony No. 6 at Kloster Eberbach, a monastery on the Rhein dating back to 1136 (video below). In terms of atmosphere, the Sixth is something of an outlier among Bruckner’s …

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A Vibrant Beethoven Fifth: Thielemann and the Vienna Philharmonic

There’s a special excitement which comes with hearing an old, familiar piece in a new way. That’s what happens when you listen to Christian Thielemann’s vibrant 2011 live concert recording of Beethoven’s Fifth Symphony with the Vienna Philharmonic Orchestra (video below). In this interpretation, Thielemann’s approach to tempo is interestingly elastic. For example, listen to the opening of the final movement, the climactic apex of the entire symphony. This is the moment when …

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