Romantic Period

A Vibrant Beethoven Fifth: Thielemann and the Vienna Philharmonic

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There’s a special excitement which comes with hearing an old, familiar piece in a new way. That’s what happens when you listen to Christian Thielemann’s vibrant 2011 live concert recording of Beethoven’s Fifth Symphony with the Vienna Philharmonic Orchestra (video below). In this interpretation, Thielemann’s approach to tempo is interestingly elastic. For example, listen to the opening of the final movement, the climactic apex of the entire symphony. This is the moment when …

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Beethoven’s Wordless Recitatives

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Ludwig van Beethoven may not be the first composer who comes to mind when considering recitative- the sung dialogue that links arias and other musical numbers in an opera or oratorio. Beethoven wrote only one opera, Fidelio, which uses more spoken dialogue than recitative. He spent almost ten excruciating years revising the work, writing four different overtures, and enduring harsh criticism, until finding success with the final 1814 version. So it’s interesting that operatic …

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Maria João Pires and the Poetry of Chopin

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There’s a really interesting moment at the end of the middle section (più lento) of Frédéric Chopin’s Nocturne, Op. 48, No. 2 when the music stops. Throughout this section (which begins around the 2:40 mark), a recitative-like conversation between two contrasting voices has been unfolding. “A tyrant commands, and the other asks for mercy” is how Chopin described it. But then, with one haunting, heart-stopping chord (You’ll hear it at 5:02 in the clip below), all of the swagger …

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Five Musical Fireworks

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It’s ironic that Independence Day in America isn’t complete without Tchaikovsky’s most famous ode to Russian nationalism: the bombastic 1812 Overture, which was written to commemorate the defeat of Napoleon’s invading army. As we head into the July Fourth holiday weekend, here are five more pieces that bring fireworks to mind: Handel: Music for the Royal Fireworks In 1749, England’s King George II employed Handel to write music for a large, outdoor public celebration in …

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The Letter Scene from Eugene Onegin

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Forget about emails and text messages. When it comes to opera, it’s the handwritten letter, with all of its tactile emotional significance, which emerges occasionally as a dramatic device. There’s the famous “Letter Duet” from the third act of Mozart’s The Marriage of Figaro, in which Countess Almaviva dictates to Susanna, who repeats the lines as she writes. The Countess’ written invitation is part of a plot to expose her husband’s infidelity. Then there’s O mon cher …

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Oistrakh Plays Brahms

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Here is a soulful performance of Johannes Brahms’ final violin sonata, the Violin Sonata No. 3 in D minor, Op. 108. This classic live concert performance was taken from a March 18, 1970 recital at New York’s Alice Tully Hall featuring the legendary Soviet violinist David Oistrakh and pianist Sviatoslav Richter. The audio quality is less than perfect and the camera angle frequently provides the page turner’s perspective. Yet Oistrakh’s sumptuous, golden tone and noble …

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Finding the Bruckner Sound

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From the buoyant, carefree musical laughter of Mozart, to the richness and heft of Brahms, to the hazy, dreamlike pointillism of Debussy, the music of each composer comes with its own distinct voice. Great orchestras have the ability to change on a dime and quickly lock into the style and sound appropriate to the music. In this old clip, you can hear Romanian conductor Sergiu Celibidache shaping the sound of the Berlin Philharmonic …

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