The lullaby is universal and timeless. It’s one of the clearest expressions of the deep bond between mother and young child. Its gentle, repetitive, rocking rhythm lulls infants to sleep. The simple expression of its melody evokes warmth and security. At the same time, many lullabies contain an inexplicable hint of sadness. From Franz Schubert to George Gershwin to U2, music history is full of lullabies. Here are five of my favorites: …
Italian-born pianist Aldo Ciccolini passed away last week at the age of 89. He will be remembered as a champion of French piano music, especially the works of early twentieth century avant-garde composer Erik Satie (1866-1925). Here is Ciccolini performing Satie’s Trois Gymnopédies. This music was especially shocking in 1888 when it was published. It doesn’t drive towards any goal. Instead, it floats along with a powerful, hypnotic simplicity. Find Aldo Ciccolini’s recordings at iTunes Find …
Symphony No. 9…Throughout music history, this title has occupied a mythic place in the collective imagination. The symphonic output of Beethoven, Schubert, Bruckner, Dvořák, and Mahler culminated with a ninth symphony. In one way or another, all of these works, written in the final years of their composers’ lives, move beyond the ordinary into strange, mysterious and transcendent territory. They stand as awe-inspiring musical revelations. To be fair, some of these composers …
Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing. -Karlheinz Stockhausen In 2008, researchers at the University of Illinois medical school discovered that the 103 beat-per-minute pulse of the Bee Gees’ 1977 disco hit Stayin’ Alive provided the perfect tempo for resuscitating the heart through CPR. From the satisfying groove of a disco or techno beat to a Bach Brandenburg Concerto, musical rhythm has long been …
In Henry Wadsworth Longfellow’s 1851 poem, The Golden Legend, a storm rages as Lucifer and a host of demonic spirits (Powers of the Air) try to tear down the cross from the spire of Strasburg Cathedral. Ultimately, Lucifer is defeated by the ringing of the Gothic cathedral’s bells, which summon saints and guardian angels. This dramatic poem was the inspiration for Franz Liszt’s 1874 cantata, The Bells of Strasburg Cathedral. The work for baritone …
In the Cello Sonata, passion rules, fiery to the point of vehemence, now defiantly challenging, now painfully lamenting…How boldly the first Allegro theme begins, how stormily the Allegro flows! It is true that the passion subsides into quiet mourning in the Adagio and fades away, reconciled, in the finale. But the beating pulse of the earlier sections still reverberates, and pathos remains the determining psychological characteristic of the whole. That’s how …
Polish-born conductor Jerzy Semkow passed away last week at the age of 86. A longtime French citizen who resided in Paris, Semkow served as principal conductor of the National Opera in Warsaw (1959-1962), the Royal Danish Opera and Orchestra in Copenhagen (1966 to 1976), and as Music Director of the Orchestra of Radio-Televisione Italiana (RAI) in Rome. Between 1975 and 1979 he was Music Director of the Saint Louis Symphony Orchestra. Semkow enjoyed …