When Less is More

The best conductors know when to get out of the way. They have an intuitive sense for those rare moments when the music is cooking along on its own and they allow it to blossom. Expressive power grows from economy. The big gesture means more when it’s reserved for the right moment. On one level, conducting involves a mysterious “give and take” between the ensemble and the person on the podium. In physics …

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Shostakovich’s Tenth Symphony

It’s impossible to separate the music of Dmitri Shostakovich (1906-1975) from the horrors and repression of Soviet life under Stalin. In a brutal society glued together by coercive thought control, constant fear, and the execution of between eight and 20 million people, art had the capacity to articulate truths otherwise unspeakable. This made Shostakovich’s music dangerous, as this quote by the composer suggests: Music illuminates a person and provides him with his …

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The Elegant Artistry of Arthur Grumiaux

Elegance, good taste and a beautiful, bell-like singing tone were all characteristics of Franco-Belgian violinist Arthur Grumiaux (1921-1986). In contrast to today’s relatively homogenized violin playing, Grumiaux exhibits a distinctly French style. Listening to Grumiaux, I’m also struck by the musical honesty and lack of fussiness in his playing. His musical phrases speak with a purity and simplicity which is hard to come by today. In his book, Great Masters of the …

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Chopin’s Fourth Ballade

Frederic Chopin didn’t need to write monumental symphonies. His Ballade No. 4 in F minor, Op. 52 reveals a universe of musical expression in just over ten minutes. Written between 1835 and 1842, Chopin’s four harmonically adventurous Ballades for solo piano inspired both Liszt and Brahms. Robert Schumann said that Chopin’s inspiration for the Fourth Ballade was Adam Mickiewicz’s poem, The Three Budrys. Let’s listen to a spectacular performance of Ballade No. 4 by pianist Krystian Zimerman. The piece …

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Five Musical Sunrises

Natural cycles, from the change of seasons to the predictable routine of day turning to night, shape our sense of time. Can you imagine how our perception of time, and subsequently music, would be different without these events? Nature’s visual grandeur has also been an inspiration to composers, especially the eternal drama of the sunrise. Here are five musical depictions: [typography font=”Cantarell” size=”28″ size_format=”px”]Haydn’s “Sunrise” String Quartet[/typography] Haydn’s String Quartet in B flat …

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Clean Bandit’s Electronic-String Fusion

If you haven’t heard the British fusion band, Clean Bandit, take a moment and listen. Founded in 2009, the band has hit on an interesting blend of string quartet and electronic dance music. The group, which includes violinist Milan Neil Amin-Smith and cellist Grace Chatto, grew out of an undergraduate string quartet at Cambridge University. This article describes how Clean Bandit developed almost by accident-the result of experimentation with pre-recorded string quartet tracks. Dust Clears was released last June: …

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Mozart’s Wordless Operas

Listening to Mozart’s symphonies, concertos and chamber music, you might get the sense that you’re hearing wordless operas. Even without a libretto, we can sense distinct characters, musical conversations and dramatic situations unfolding in the music. It’s as if the innovative and prolific composer of The Marriage of Figaro, Don Giovanni, and The Magic Flute couldn’t shut off the flood of opera arias and duets entering his mind. As a musician I have found that approaching …

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