Think about the way your favorite piece begins. From the ferocious opening four notes of Beethoven’s Fifth Symphony, which form the DNA for the entire symphony that follows, to the quiet, mysterious tremolos of Bruckner’s symphonies, to the attention grabbing (and audience quieting) opening fanfares of Rossini’s opera overtures, the way a piece starts tells us a lot about what will follow. As you jump, grudgingly tip toe or stride boldly into 2014, listen …
Here is Jan Sandström’s atmospheric setting of Lo How a Rose E’er Blooming, performed live by the choir of King’s College Chapel, Cambridge, England on Christmas Eve, 2009. Sandström is a contemporary Swedish composer and for me there is something about this music which captures the bleak, desolate Scandinavian landscape in December. It also has a unique flow. When the sun sets at 3:00 in the afternoon for part of the year, do you develop a different …
Take a break from the holiday hubbub and spend a few minutes listening to In Terra Pax (“And on earth, peace”), the beautiful Christmas cantata by English composer Gerald Finzi (1901-1956). You might be reminded of the lush, layered string writing of Ralph Vaughan Williams. There are also moments in the piece which may have influenced John Rutter. Get a detailed introduction of the piece here and here. Written in 1954, this was one …
Music occupies the mysterious realm of metaphor, expressing realities which cannot be put into words. For American composer Michael Torke (b. 1961) music is inextricably bound to extramusical associations like colors, memories and feelings. His evocative titles give us a glimpse at these associations. In a previous post we looked at Torke’s synesthesia, a neurological blurring of the senses which allows him to “hear” colors. December for string orchestra was written in 1995. Why do …
In the virtual isolation of early twentieth century New England, an organist and insurance salesman named Charles Ives (1874-1954) was imagining shocking and innovative new music. Ives created atmospheric collages of sound. He poured fragments of American folk songs and other material into a musical melting pot to create an exciting cacophony. Much of his music became widely known only decades later when other composers embraced similar techniques. Previously, we listened to Thanksgiving …
Today is the 100th birthday of twentieth century English composer Benjamin Britten (1913-1976). Let’s celebrate by listening to Britten’s Four Sea Interludes from the opera, Peter Grimes. Played during scene changes, these interludes express the drama of the opera’s unsettling story. As you listen, consider the mood that Britten evokes and pay attention to the orchestration. You can read the synopsis of the entire opera here. Here is a recording of a live 1990 performance …
English composer John Tavener passed away yesterday. Born in 1944, Tavener was known for meditative choral music, influenced by minimalism and Gregorian chant. Here is the Winchester Cathedral Choir singing, As One Who Has Slept: Here is Lament of the Mother of God: https://itunes.apple.com/us/artist/john-tavener/id201609509″]Find on iTunes http://www.amazon.com/John-Tavener-Innocence-J/dp/B000002AUN”]Find on Amazon