Mahler’s Sixth Symphony: The Hammer Blow of Fate

Gustav Mahler said, My Sixth will be asking riddles that can be solved only by a generation that has received and digested my first five. In fact, Mahler’s Symphony No. 6 in A minor remains an unsettling enigma. Completed in 1905 at one of the happiest times in the composer’s life (he had married Alma Schindler in 1902 and they already had two young daughters), the Sixth Symphony is Mahler’s most dark and …

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Rachmaninov’s Third Piano Concerto: Daniil Trifonov in Concert

One hundred and ten years ago today, on November 4, 1909, Sergei Rachmaninov made his American debut with a recital at Smith College in Northampton, Massachusetts. In the weeks that followed, the 36-year-old composer appeared in cities including Philadelphia and New York, where he premiered the Piano Concerto No. 3 in D minor—newly written for the tour—with Walter Damrosch and the New York Symphony. The American tour came at a time when Rachmaninov was cutting …

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Christopher Rouse’s “Phantasmata”: Three Haunting Hallucinations

The sixteenth century Swiss alchemist, Paracelsus, used the word “phantasmata” to describe “hallucinations created by thought.” Appropriately, Phantasmata is the title of an orchestral tryptic completed in 1985 by the late American composer, Christopher Rouse. It’s a piece which grew out of a series of haunting dream images. The opening movement bears the descriptive title, “The Evestrum of Juan de la Cruz in the Sagrada Familia, 3 A.M.” It was inspired by an …

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Aaron Jay Kernis’ “Air”: A Love Letter to the Violin

In his program notes, American composer Aaron Jay Kernis (b. 1960) describes Air as “a love letter to the violin.” Written in 1995 for Joshua Bell, the piece is dedicated to Kernis’ wife, the pianist Evelyne Luest. It unfolds with a direct, songlike lyricism which warmly embraces tonality. Occasionally, there are echoes of the music of Aaron Copland, Samuel Barber, and perhaps even late Mahler. The opening bars pull us into a lush, pastoral soundscape. …

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Sibelius’ Sixth Symphony: “Pure Spring Water”

The Sixth may be Jean Sibelius’ most enigmatic symphony. It doesn’t offer the kind of heroic and triumphant journey we experience in the Second and Fifth Symphonies, or the strange, brooding darkness of the Fourth. Instead, it drifts through a soundscape which is shimmering, austere, and mysterious. “The Sixth Symphony always reminds me of the scent of the first snow,” said Sibelius in 1943. On another occasion, the composer spoke of the …

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Einojuhani Rautavaara’s “Autumn Gardens”: A Radiant Orchestral Soundscape

Autumn is a season of shimmering, radiant colors. Long shadows fall amid fading sunlight and a crisp chill seeps into the air. All of this can be felt in Autumn Gardens, a vibrant orchestral soundscape in three movements, written in 1999 by the Finnish composer, Einojuhani Rautavaara (1928-2016). The title refers to a passage from the libretto of Rautavaara’s 1990 chamber opera, The House of the Sun, “…like a butterfly in the garden of black …

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Joyful Sounds of Praise: Five Musical Settings of Psalm 150

Today marks the 1,000th post of The Listeners’ Club. In celebration of this milestone, I want to thank our growing community of readers and subscribers, and all who take time to comment and share this incredible music with friends. Praise God in His sanctuary; praise Him in the firmament of His power. Praise Him for His mighty acts; praise Him according to His abundant greatness. Praise Him with the blast of the …

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