Let’s Start the New Year Right

(Above: Bing Crosby, Virginia Dale, Fred Astaire, and Marjorie Reynolds in the 1942 film, Holiday Inn.) Happy New Year! The first day of January may be a time to sweep up the confetti and put away the party hats, but take a moment and listen to Irving Berlin’s Let’s Start the New Year Right. This suave melody, sung  by the golden-toned Bing Crosby, was written for the 1942 Paramount Pictures classic, Holiday Inn. (White Christmas became the smash hit from …

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Remembering Kurt Masur: Five Great Recordings

Conductor Kurt Masur passed away on December 19, following a battle with Parkinson’s disease. He was 88. Masur will be remembered for his 26-year association (beginning in 1970) with the Leipzig Gewandhaus Orchestra, a storied ensemble once led by Felix Mendelssohn. Kurt Masur brought powerful political, as well as musical, leadership to Leipzig. In 1981, following the destruction of the previous Gewandhaus in the fire-bombings of the Second World War forty years earlier, he …

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The View from the Belfry: European Bell Ringing Up-Close

Today’s post is in honor of the late musicologist Karl Haas, host of Adventures in Good Music, the nationally syndicated radio program which aired between 1970 and 2007. The Story of the Bells, broadcast on Christmas Eve, was one of Haas’ most popular episodes. It provided listeners with a sample of the varied and distinctive sounds of bell ringing in cities throughout Europe and the Middle East. Here at The Listeners’ Club, we’ve returned to bell …

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Your 2015 Christmas Playlist

It’s that time of year again…time for the annual Listeners’ Club Christmas playlist. As with last year’s post, this is a collection of music guaranteed to get you in the holiday spirit. Pour some eggnog, light the tree and listen: Thomas Tallis: Christmas Mass We’ll start with music written for an important political occasion. The Christmas Mass by English composer Thomas Tallis (c. 1505-1585) may have been written for Christmas Day, 1554 when Phillip II of …

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Samuel Barber’s Twelfth Night

The promise of spring amid the darkest, gloomiest depths of winter…that’s the Christmas metaphor of cyclic rejuvenation found in Laurence “Laurie” Lee’s poem, Twelfth Night. American composer Samuel Barber had fallen into his own personal depths of depression when he created this chilling setting in December 1968. His second opera, Antony and Cleopatra, commissioned for the opening of the Metropolitan Opera house at New York’s brand new Lincoln Center, had been poorly received by critics. …

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Sibelius’ Sixth: "The Scent of the First Snow"

Beethoven’s great symphonic arc is a study in moderation. Beginning with the Third Symphony (the Eroica), Beethoven’s odd numbered symphonies can be described as heroic, monumental and groundbreaking. By contrast, the even numbered symphonies take a step back into a more intimate world of classical charm. Listen to Jean Sibelius’ Fifth and Sixth Symphonies back to back, and you’ll hear a similar dichotomy. Sibelius began sketching both works around the same time in the …

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Sibelius 5’s Evaporating Tonal Center

In Monday’s post, commemorating the 150th anniversary of Jean Sibelius’ birth, we listened to Leonard Bernstein’s live concert performance of Sibelius’ Fifth Symphony with the Vienna Philharmonic. Returning to this music, I was reminded of that chilling moment in the first movement when the tonal center completely evaporates. Virtually all music from J.S. Bach through Late Romanticism was tonal, built on relationships between a tonic (the key’s home base) and dominant. We …

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