Stravinsky’s “Ode”: An Elegiacal Chant in Memory of Natalie Koussevitzky

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In 1943, the conductor Serge Koussevitzky commissioned Igor Stravinsky to write a piece in memory of his wife, Natalie, who had died the previous year. During his tenure as music director of the Boston Symphony Orchestra between 1924 and 1949, Koussevitzky commissioned and championed numerous works by contemporary composers. Many of these commissions were funded with the help of money from Natalie Koussevitzky’s family. In addition to Stravinsky’s Ode, the the Koussevitzky Music Foundation’s early commissions …

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Bach’s Chorale Prelude, “In dir ist Freude”: The Evolution of a Melody

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Short-short-short-long… This is the motif which famously launches Beethoven’s Fifth Symphony. This brief, tightly wound kernel pervades the first movement, and then returns throughout the Symphony. Although Beethoven’s use of this motive may be the most memorable and persistent example, the “short-short-short-long” rhythm is a common building block throughout music. It’s infused with a natural sense of forward motion, moving “from here to there.” For example, listen to the majestic and expansive …

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Beethoven’s Fifth Symphony: Mariss Jansons and the Bavarian Radio Symphony Orchestra

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Ludwig van Beethoven was born on or around this date in 1770. Although the exact date remains unclear, Beethoven’s baptism was registered for December 17, 1770. At the time, Catholic officials required newborn babies to be baptized within twenty-four hours of birth. Strangely, throughout his life Beethoven insisted that his actual year of birth was 1772, despite evidence to the contrary. In celebration, here is the late Mariss Jansons’ vibrant recording of Beethoven’s Symphony …

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Tchaikovsky’s “The Queen of Spades”: Lise Davidsen at the Met

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Tchaikovsky’s The Queen of Spades is playing at the Metropolitan Opera through December 21. First performed at St. Petersburg’s Mariinsky Theatre in 1890, the three act opera tells a dark story of greed, obsession, and psychological breakdown. It is based on Alexander Pushkin’s novella of the same name. Yet the libretto by the composer’s brother, Modest Tchaikovsky, alters the plot significantly, allowing the gambling addict Hermann to fall in love with Liza before descending into …

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Tchaikovsky’s Fifth Symphony: A Journey from Darkness to Light

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Tchaikovsky’s Symphony No. 5 in E minor begins in the shadows. A halting melody emerges in the solo clarinet, shrouded in the gloom of the low strings. It’s a melody built on simple, repeating phrases—something akin to a lamenting Russian folksong. In fact, this theme seems to have developed out of a phrase from Mikhail Glinka’s 1836 tragic opera, A Life for the Tsar, accompanying the words, “turn not into sorrow.” The Fifth Symphony’s introduction …

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Maurice Duruflé’s “Four Motets on Gregorian Themes”: An Excerpt from the Houston Chamber Choir’s New Recording

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Here is another brief excerpt from a Grammy nominated recording we sampled last month. It comes from the album, Duruflé: Complete Choral Works, released last April. The Houston Chamber Choir is led by its artistic director and founder Robert Simpson. The serene, timeless sounds of Gregorian chant emerge throughout the music of the twentieth century French composer and organist Maurice Duruflé (1902-1986). In Quatre Motets sur des thèmes grégoriens (“Four motets on Gregorian themes”), written in 1960, echoes …

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Bach’s Jubilant Christmas Cantata, “Unser Mund sei voll Lachens,” BWV 110

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Let’s travel back in time to Christmas Day, 1725. Entering St. Thomas Church in Leipzig, we would experience the first performance of J.S. Bach’s cantata, Unser Mund sei voll Lachens (“May our mouth be full of laughter”). We would witness Bach, three years into his tenure as the Lutheran church’s music director, leading the newly written work. By the end of his life, Bach produced five annual cycles of these dramatic religious …

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