The Well-Tempered Clavier: Bach’s Sublime Exercises

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For more than 250 years, Das wohltemperierte Clavier has trained the fingers of innumerable keyboard players, and has also trained the judgment of composers seeking to understand the complex relationship between creative freedom and formal discipline. – Davitt Moroney There’s an interesting irony in the fact that the ultimate creative freedom often grows out of rules and constraints. This is something architects, who embark on projects with a detailed program outlining the client’s needs and …

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A Ravel Snapshot with the Lydian String Quartet

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The Boston-based Lydian String Quartet has a new first violinist. Andrea Segar recently succeeded Daniel Stepner, who served as the Quartet’s first violinist for 29 years. Segar was a student of Donald Weilerstein (former first violinist of the Cleveland Quartet) at New England Conservatory, and Philip Setzer (a founding member of the Emerson String Quartet) and Soovin Kim at SUNY Stony Brook. Last week, the Lydian Quartet posted this informal rehearsal clip featuring the …

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Psalm 90: Charles Ives’ Time-Altering Swan Song

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When you think of Charles Ives (1874-1954), the visionary experimental composer and New England insurance executive who assembled shocking, never-before-imagined sonic collages, what music comes to mind? Probably the enigmatic Unanswered Question. Perhaps the dense, American folk-song-laced orchestral tone poems or the harmonically advanced Concord Sonata. But beyond all of this lies another side of Ives. By the age of 14, he was an organist of immense technical skill. (At 17, Ives described his fiendishly difficult, …

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A Vibrant Beethoven Fifth: Thielemann and the Vienna Philharmonic

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There’s a special excitement which comes with hearing an old, familiar piece in a new way. That’s what happens when you listen to Christian Thielemann’s vibrant 2011 live concert recording of Beethoven’s Fifth Symphony with the Vienna Philharmonic Orchestra (video below). In this interpretation, Thielemann’s approach to tempo is interestingly elastic. For example, listen to the opening of the final movement, the climactic apex of the entire symphony. This is the moment when …

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Jennifer Higdon: Summer Shimmers Across the Glass of Green Ponds

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Here’s the perfect soundtrack for a lazy midsummer afternoon- the kind of music you might hear in a dream if you fell asleep in the backyard under a cool, lush, leafy canopy. Scenes from the Poet’s Dreams, a work for piano quintet written in 1999 by American composer Jennifer Higdon (b. 1962), imagines a series of divergent dreams. The dreamer becomes both a participant and observer, a paradox Higdon likens to the …

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Meet Nikki Chooi, the Met’s New Concertmaster

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Last week, the Metropolitan Opera announced the appointment of a new concertmaster: 27-year-old Canadian violinist Nikki Chooi. Chooi, who grew up in Victoria, British Columbia, began studying the violin at the age of four through the Suzuki method, later attending Curtis and Juilliard. Last season he performed as a member of the innovative, genre-defying string trio, Time for Three. (Here is the group’s cover of Taylor Swift’s Shake it Off). Here’s an excerpt from Chooi’s …

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Beethoven’s Wordless Recitatives

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Ludwig van Beethoven may not be the first composer who comes to mind when considering recitative- the sung dialogue that links arias and other musical numbers in an opera or oratorio. Beethoven wrote only one opera, Fidelio, which uses more spoken dialogue than recitative. He spent almost ten excruciating years revising the work, writing four different overtures, and enduring harsh criticism, until finding success with the final 1814 version. So it’s interesting that operatic …

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