New Release: Maya Beiser’s TranceClassical

The sounds of the twenty-first century are largely electronic and computer processed. In this environment, a recording can become a work of art in its own right, not just a feeble attempt to recreate a live concert experience. I was reminded of this over the past few days as I sampled cellist Maya Beiser’s newly-released album, TranceClassical. Beiser, an Israeli-born American (her mother is French and her father is Argentine) who graduated from Yale …

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Celebrating the Music of Brazil’s Greatest Composer, Heitor Villa-Lobos

As the eyes of the world turn to Rio this week, let’s explore the music of Brazil’s most celebrated composer, Heitor Villa-Lobos (1887-1959). It’s music in which multiple worlds harmoniously collide. The sounds of native Brazilian folk music and the casual strains of Rio’s street bands blend with European modernism and hints of Debussy and Stravinsky. A “body of music in which European sophistication and native wit and energy compete for supremacy” was Bernard Holland’s …

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Five Pieces Inspired by the Olympics

The Olympics are a wonderful metaphor for world cooperation, the kind of international competition that’s wholesome and healthy, an interplay between countries that represents the best in all of us.  -John Williams Music has served as a celebratory backdrop for the Olympics since the first modern games in Athens in 1896. As the 2016 Summer Olympic Games unfold in Rio, let’s listen to five pieces which form an Olympic soundtrack: Josef Suk: …

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Time For Three’s “Firework” Cover

The eclectic string trio, Time For Three isn’t interested in categories. The original members, violinists Nick Kendall and Zachary DePue and double bassist Ranaan Meyer, began jamming together as students at the Curtis Institute of Music in Philadelphia. The result was a vibrant and free-flowing mix of musical styles and genres, including bluegrass, jazz, rock, and hip-hop. This “classically trained garage band” continued to perform together after Curtis, although DePue left to become concertmaster of the Indianapolis …

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Bruckner’s Sixth Symphony: A Cathedral of Sound

Listening to Anton Bruckner’s monumental, gradually unfolding symphonies has been compared to walking around a cathedral and experiencing the same massive, awe-inspiring structure from different vantage points. On June 19, conductor Christoph Eschenbach and the Frankfurt Radio Symphony Orchestra took that literally with a performance of Bruckner’s Symphony No. 6 at Kloster Eberbach, a monastery on the Rhein dating back to 1136 (video below). In terms of atmosphere, the Sixth is something of an outlier among Bruckner’s …

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The Cypress String Quartet’s Beethoven Farewell

After 20 years, the San Francisco-based Cypress String Quartet disbanded earlier this summer. The group’s legacy includes 30 newly commissioned works by composers such as George Tsontakis, Jennifer Higdon, and Kevin Puts and 17 recordings. In terms of its discography, the Cypress’ crowning achievement came in May with the release of the complete Beethoven string quartets. A detailed exploration of the Beethoven quartets was one of the Cypress’ central objectives from day one. Beethoven’s string …

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Daniel Stepner Plays Solo Bach

On Monday, we ventured into the monumental preludes and fugues of J.S. Bach’s The Well-Tempered Clavier. Let’s finish the week with an excerpt from Daniel Stepner’s 2013 Centaur Records release of Bach’s Sonatas and Partitas for Solo Violin. Stepner offers period performances of these works, tuning to the lowered A of Bach’s time, and using three fine old instruments: a 1641 Italian Amati violin, a 1740s German Klotz, and a 1693 Stradivari. The recording was made over the course 23 years, between …

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