The Wound-Dresser

Thus in silence in dreams’ projections, Returning, resuming, I thread my way through the hospitals, The hurt and wounded I pacify with soothing hand, I sit by the restless all the dark night, some are so young, Some suffer so much, I recall the experience sweet and sad, (Many a soldier’s loving arms about this neck have cross’d and rested, Many a soldier’s kiss dwells on these bearded lips.) -Walt Whitman, The …

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The Mozart of Modernism

It’s been estimated that 3,000 performance majors graduate from American music schools and conservatories each year, while there are only 150 to 269 yearly openings in full-time professional orchestras. To that end, recent advice from internationally renowned British architect Sir Norman Foster seems relevant, not only to music students but to all of us: Foster captured attention in the 1980s with his innovative design for the HSBC Building in Hong Kong, a …

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Unfinished Schubert

No, not the “Unfinished” Symphony No. 8, a piece which feels strangely complete at two movements. We’ll get to that masterpiece at some point, but today let’s listen to the unfinished C minor string quartet (Quartettsatz, D. 703) Franz Schubert began in December, 1820. Schubert completed the first movement, Allegro assai. Interestingly, its opening bears a slight resemblance to the hushed, shivering string lines in the first movement of the “Unfinished” Symphony, which was started eight months later. Schubert …

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Louis Lortie Plays Ravel

Last week we listened to Maurice Ravel’s Le Tombeau de Couperin, a piece which originated as a solo piano suite and culminated as a breathtakingly colorful orchestral work. Many of Ravel’s works followed this evolution. His glistening, Impressionistic orchestration even extended to Modest Mussorgsky’s Pictures at an Exhibition, a work also originally for solo piano. Let’s return to Ravel the pianist with a few excerpts from French-Canadian pianist Louis Lortie’s 2003 recording (on the Chandos label), Ravel’s …

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Bring on the Wascally Wabbit

The Richmond Symphony season is winding down. But this weekend we’ll be busy performing the popular touring show, Bugs Bunny at the Symphony II with conductor George Daugherty. The show is a tribute to the music of classic Warner Brothers’ cartoons. Generations of viewers gained an exposure to classical music through these zany cartoons, which included: A Corny Concerto  (1943) -an adaptation of Johann Strauss’ Tales from the Vienna Woods and The Blue Danube Pigs in …

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Le Tombeau de Couperin: Post-Apocalyptic Ravel

Listening to Maurice Ravel’s Le Tombeau de Couperin, it’s easy to get a sense of altered reality. Outwardly, the original six movement suite, written for solo piano, responds to the horrors and devastation of the First World War, a conflict Ravel experienced first hand as a military ambulance driver. Ravel dedicated each movement of the work, written between 1914 and 1917, to the memory of a friend lost on the battlefield. But, interestingly, …

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Fabio Biondi Plays Veracini

  Italian Baroque composers such as Corelli, Tartini, and Vivaldi have long been associated with the early development of the violin as a virtuoso instrument. Less well known, now, is Francesco Maria Veracini. Born in Florence in 1690, Veracini traveled throughout Europe, dazzling audiences with his violin sonatas and concertos. The English composer and music historian Charles Burney (1726-1814) described Veracini’s playing in 1745: He led the band…in such a bold and …

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