Mozart’s Piano Concerto No. 19: Mitsuko Uchida and the Cleveland Orchestra

Mozart’s mature piano concertos are sublime dramas without words. They are filled with a magical sense of instrumental conversation. Each phrase seems to have drifted out of some imaginary opera scene in which literal meaning has been replaced with a deeper and more fundamental expressive reality. The instrumental voices form a rich and colorful cast of characters. Blurring the boundaries between solo and accompaniment, the solo piano and orchestral voices engage as equals. We …

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Schubert’s Piano Sonata No.21 in B-flat Major, Mitsuko Uchida

“The opening movement of the Sonata [No. 21] in B-flat Major goes beyond analysis,” writes the pianist Stephen Hough. “It is one of those occasions when the pen has to be set down on the desk, the body rested against the back of a chair, and a listener’s whole being surrendered to another sphere.” This was Franz Schubert’s last instrumental work. Completed in the autumn of 1828 during the final months of …

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Schubert’s Piano Sonata No. 13 in A Major, Mitsuko Uchida

Franz Schubert’s Piano Sonata No. 13 in A Major is filled with sublime, crystalline melodies which unfold with an inherent sense of logic. It’s music filled with sunshine and the joy of youth. At the same time, there is an underlying and lingering wistfulness. The 22-year-old Schubert wrote this music during the summer of 1819 while vacationing in the idyllic Upper Austrian city of Steyr. Surrounded by an “unimaginably lovely” landscape, Schubert composed the …

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Mozart’s Piano Concerto No. 18: A Thrilling “Interplay of Instruments”

Leopold Mozart visited his son in Vienna during the frigid winter of 1785. Over the course of ten weeks, the elder Mozart witnessed a superstar musician at the height of his popularity. In letters, he marveled at the extent to which his son was in demand at prominent venues across the city. Indeed, between 1782 and 1785, Mozart presented two or three new piano concertos each season, establishing “a harmonious connection between an …

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Mozart’s Piano Concerto No. 22 in E-Flat Major: Mitsuko Uchida and the ECO

Mozart was hard at work on The Marriage of Figaro when he completed the Piano Concerto in E-flat Major, K. 482 on December 16, 1785. As with many of his instrumental works, the Concerto is infused with a vibrant sense of operatic drama. From the bold fanfare which functions as a “call to order” at the beginning of the first movement, colorful musical “characters” take the stage and enter into a continuous stream of …

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Mozart’s Piano Concerto No. 24: Mitsuko Uchida, Jeffrey Tate, and the English Chamber Orchestra

Two weeks ago, we explored the uniquely tragic significance of G minor throughout Mozart’s music, from The Magic Flute‘s lamenting aria, “Ach, ich fühl’s,” to the persistent “minor-ness” of Symphony No. 40. Today, I want to take a similar excursion into minor-key Mozart with the Piano Concerto No. 24 in C minor, K. 491. This is one of only two concertos Mozart wrote in a minor key. It provides a dark, stormy counterweight to the bright comedy of The Marriage of …

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Remembering Conductor Jeffrey Tate

The English conductor Sir Jeffrey Tate passed away on Friday. He was 74. In the early 1970s, Tate worked as a repetiteur and coach at the Royal Opera House, Covent Garden under Sir Georg Solti. His international conducting debut came in 1979 at New York’s Metropolitan Opera. He went on to lead the English Chamber Orchestra, the Royal Opera House, Covent Garden, and the Rotterdam Philharmonic Orchestra, among others. He overcame the tremendous …

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