Rossini’s Semiramide Overture

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“Fun” may be the best way to describe a Rossini opera overture. Gioachino Rossini (1792-1868) was a master of long, expectation-building crescendos, sparkling, virtuosic woodwind solos and musical jokes, which included sudden, loud, out of place chords. These operas would have been considered popular entertainment-drama mixed with sports, in the form of the vocal acrobatics of the singers. Recently, I ran across this exciting 1990 Metropolitan Opera performance of Rossini’s Semiramide Overture. As you …

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Merry Mount at Carnegie

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Last Wednesday the Rochester Philharmonic Orchestra presented an outstanding concert performance of Howard Hanson’s opera, Merry Mount at Carnegie Hall as part of the Spring For Music festival. In a previous post I provided some background on Hanson and the opera, which had not been heard in New York since its Metropolitan Opera premiere in 1934. If you missed the performance and the live radio broadcast, you can listen to it here. Read reviews of the performance …

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Songs My Mother Taught Me

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In celebration of Mother’s Day, here are two settings of Songs My Mother Taught Me by the Czech poet Adolf Heyduk. You may be familiar with Antonin Dvořák’s famous song, written in 1880 as part of the cycle, Gypsy Songs, Op. 55. Fritz Kreisler later transcribed it for violin. Here you can hear it played by Itzhak Perlman and then sung by American tenor Richard Crooks.  The poem deals with the flow of time, continuity and …

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Viktoria Mullova Goes for Baroque

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It’s rare for violin soloists to drastically rethink their approach to a composer, leaving behind two contrasting recordings of the same music. But that’s exactly what happened over the course of 15 years with Viktoria Mullova’s interpretation of J.S. Bach’s Six Solo Sonatas and Partitas for Violin. Following the release of a spectacular 1994 Philips recording featuring a modern interpretation, Mullova re-recorded solo Bach in 2009 on the Onyx label, this time with …

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Singing Along with the Vacuum Cleaner

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What inescapable sounds surround us in the twenty-first century and how do they influence music? Nico Muhly’s 2012 album, Drones, is music which seems to emerge from the hum of the refrigerator or vacuum cleaner. Muhly (b.1981) studied with John Corigliano and Christopher Rouse at Julliard, served as Philip Glass’s copyist, and has collaborated with Björk and Usher. Like Gabriel Kahane, his style, which blends elements of rock and electronic music, is hard to pin down. Read …

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Howard Hanson, America’s Neglected Romantic

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This Wednesday, May 7, the Rochester Philharmonic Orchestra and conductor Michael Christie will be performing at Carnegie Hall as part of the final Spring For Music festival. Since 2011, Spring For Music has showcased North American orchestras and innovative programming. After this year the festival will end due to lack of funding. The RPO’s decision to present a concert performance of twentieth century American composer Howard Hanson’s opera, Merry Mount, is significant. Hanson (1896-1981) was the long-time director …

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Violins and the Power of Suggestion

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The results of a long anticipated study published on April 7 seem to shatter long-held assumptions about the superiority of 300-year-old Stradivari and Guarneri violins to fine modern instruments. The study, led by French scientist Claudia Fritz with the help of American luthier Joseph Curtin, follows up on a controversial blind test conducted in an Indianapolis hotel room in 2010. Ten prominent violinists, including Ilya Kaler and Elmar Oliveira, were unable to distinguish old instruments from new in a …

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