Arvo Pärt’s “Pari intervallo”: Geometry Unfolding in Time

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Musical lines evoke strict geometry in Arvo Pärt’s brief but cosmic meditation, Pari intervallo (Latin for “in the equal distance”). Throughout the piece, two parallel voices seem to drift quietly into infinity. A continuous and inevitable process unfolds which gives rise to occasional unexpected but delicious harmonic dissonances. In the score, Pärt inscribed a quote from Romans 14:8: “For whether we live, we live unto the Lord; and whether we die, we die unto …

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Stravinsky Meets Tchaikovsky: Reimagining “The Sleeping Beauty”

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Tchaikovsky’s fairytale ballet, The Sleeping Beauty, was first performed at St. Petersburg’s Mariinsky Theatre on January 15, 1890. Among the audience members of this premiere production was the eight-year-old Igor Stravinsky, who later noted it as a formative musical experience. For the first time, the young Stravinsky was struck by the majesty of the orchestra, and well as the music of Tchaikovsky, a personal friend of Stravinsky’s father. In January of 1941, Stravinsky received a …

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Tchaikovsky’s Serenade for Strings: Music from the Heart

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In November of 1880, Pyotr Ilyich Tchaikovsky was hard at work on two sharply contrasting pieces. The first was the bombastic and commemorative 1812 Overture, a piece the composer delivered out of a sense of dutiful professional obligation. The second was the elegant and soulful Serenade for Strings in C Major. Regarding the Serenade, Tchaikovsky wrote to his publisher, “I am violently in love with this work and cannot wait for it to be played.” In an …

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Stravinsky’s Symphony in Three Movements: Rhythmic Delirium

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Igor Stravinsky’s Symphony in Three Movements is a delirious celebration of rhythm. This bright, exuberant music leaves behind the rapturous, primordial jabs of The Rite of Spring to enter the crisp, spare world of neoclassicism. Witty and spirited conversations unfold between instrumental voices. Quirky, irrepressible ostinatos propel the music forward amid unpredictable and swiftly changing rhythmic currents. The outer movements hurtle forward with the hyper, unrelenting energy of an action film, whisking us from one …

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“Hurrian Hymns”: Music from 1400 BC

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Happy New Year! Today, as we move into an uncertain 2021, let’s reflect on the things which haven’t changed fundamentally over thousands of years of human history. One item on the list must be music, which according to some researchers predated language. An enticing fragment of early musical notation, found on a 4,000-year-old Sumerian clay tablet, suggests that written music has long been with us. The oldest surviving notated score to be preserved in …

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Keith Jarrett: “My Song,” 1978

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Keith Jarrett’s My Song is infused with a sublime simplicity and directness. It first appeared as the title track on a 1978 studio album featuring Jarrett with his “European Quartet.” (The collaboration involved the Scandinavian jazz musicians, Jan Garbarek, Palle Danielsson and Jon Christensen). Over the years, My Song returned in Jarrett’s improvisatory solo piano concerts. It has become a standard with other jazz artists such as guitarist Pat Metheny. Here is a performance from Keith Jarrett’s December 12, …

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Remembering Ivry Gitlis

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Ivry Gitlis, the legendary Israeli violinist, has passed away. He was 98. Born in Haifa, Palestine to Russian-Jewish parents, Gitlis began playing the violin at the age of five. His teacher, Elisheva Velikovsky, had been a student of the German violinist, Adolph Busch. (About the same time, a  young Zvi Zeitlin studied with Velikovsky). Later, Gitlis studied with Mira Ben-Ami (a student of Joseph Szigeti). The influential violinist Bronisław Huberman opened doors …

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