Paul Lewis

Beethoven’s Piano Sonata No. 23 in F Minor, “Appassionata”: A Turbulent Drama

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Beethoven’s Piano Sonata No. 23 in F minor is filled with volatile mood shifts, turbulent drama, and revolutionary fire. It was completed around 1805, during what is now known as the composer’s “heroic” middle period. Beethoven did not provide the familiar and apt nickname, Appassionata. It was added in 1838 when the German publisher, Cranz, created a piano duet version. The pianist Carl Czerny, a student of Beethoven, called this Sonata “the most perfect …

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Beethoven’s Fourth Piano Concerto: An Intimate and Sublime Dialogue

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Each of Beethoven’s five mature piano concertos take us to a distinct place. The Third is set in a turbulent C minor, with a backward glance to Mozart. The Fifth, known as the “Emperor,” springs to life with a sense of monumentality and exhilarating heroism. In between is the sometimes overlooked Piano Concerto No. 4 in G Major. Here, we enter a magical and quietly intimate world of shimmering colors. Musical lines …

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Schubert’s Piano Sonata No. 18 in G Major, D. 894: Paul Lewis in Concert

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The music of Franz Schubert inhabits a unique and magical world, distinct from any other composer. While Beethoven often grabs us roughly by the collar and throws us onto an exhilarating and ferocious musical rollercoaster ride, Schubert gives us a radically different experience. He invites us into a quiet, sensuous space filled with crystalline melodies, conversing voices, and moments of deep mysticism. Sudden, effortless harmonic shifts and modulations open up new, unexpected dramatic vistas. …

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