Le Tombeau de Couperin: Post-Apocalyptic Ravel

Listening to Maurice Ravel’s Le Tombeau de Couperin, it’s easy to get a sense of altered reality. Outwardly, the original six movement suite, written for solo piano, responds to the horrors and devastation of the First World War, a conflict Ravel experienced first hand as a military ambulance driver. Ravel dedicated each movement of the work, written between 1914 and 1917, to the memory of a friend lost on the battlefield. But, interestingly, …

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Hilary Hahn: In 27 Pieces

Earlier this month, violinist Hilary Hahn and accompanist Cory Smythe picked up a Grammy award for their 2013 album, In 27 Pieces: The Hilary Hahn Encores. The recording came in first in the Best Chamber/Small Ensemble category. Don’t be deceived by the album’s title. This isn’t yet another CD of violin showpiece warhorses. It’s a collection of completely new music born out of an intriguingly fresh idea. Hahn noticed that, while the violin repertoire …

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Music and Humor

Leonard Bernstein masterfully explored the subject of humor in music in one of his Young People’s Concerts. The episode takes listeners on a musical tour from Haydn and Rameau to Brahms, Mahler, Prokofiev and Shostakovich and offers insight into why we find certain music funny. To this day, no one has done more for music education than Bernstein. Watching these programs, which originally aired on CBS in the late 1950s, you can sense Bernstein’s passion and …

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Shostakovich’s Tenth Symphony

It’s impossible to separate the music of Dmitri Shostakovich (1906-1975) from the horrors and repression of Soviet life under Stalin. In a brutal society glued together by coercive thought control, constant fear, and the execution of between eight and 20 million people, art had the capacity to articulate truths otherwise unspeakable. This made Shostakovich’s music dangerous, as this quote by the composer suggests: [quote]Music illuminates a person and provides him with his …

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