Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa. The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States. A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

Conductor News on Both Sides of the Pond

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Two recent announcements promise to shake up the orchestra world. Late last month, the New York Philharmonic announced that Dutch conductor Jaap van Zweden would succeed Alan Gilbert to become the orchestra’s Music Director, beginning in 2018. He is currently Music Director of the Dallas Symphony and the Hong Kong Philharmonic.  Jaap van Zweden, who was concertmaster of Amsterdam’s Royal Concertgebouw Orchestra for 17 years, first picked up a baton at the request of Leonard …

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Remembering Composer Bern Herbolsheimer

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(Photo above by Rosetta Greek Photography) This Sunday, Seattle’s musical community will pause to remember the life of one of its most esteemed composers. American composer Bern Herbolsheimer passed away on January 13 following a battle with cancer. He was 67. Herbolsheimer served on the faculty of Cornish College and the University of Washington. His works include a Symphony which was premiered in 1989 by conductor Kenneth Jean and the Florida Symphony Orchestra, two …

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Schumann and Tchaikovsky: The Music of Manfred

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"Manfred On The Jungfrau," watercolor by John Martin (1837)

The stars are forth, the moon above the tops Of the snow-shining mountains.—Beautiful! I linger yet with Nature, for the night Hath been to me a more familiar face Than that of man; and in her starry shade Of dim and solitary loveliness, I learn’d the language of another world. -Lord Byron, Manfred Demons inhabit Lord Byron’s Manfred. In the 1,336-line dramatic poem, Manfred is tormented by guilt surrounding a mysterious past transgression …

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Sounds of Candlemas: Thomas Tallis’ Videte miraculum

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Candlemas, also known as The Feast of the Purification, is observed on or around February 2 on the Christian calendar. It’s a liturgical celebration that has inspired numerous works of art, such as the Byzantine painting above and at least three of J.S. Bach’s cantatas: Erfreute Zeit im neuen Bunde (BWV 83) (1724), Mit Fried und Freud ich fair dahin (BMV 125) (1725), and Ich habe genug (BWV 82) (1727). The last of the three remains the most recorded of all of Bach’s …

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Alisa Weilerstein’s New Recording: Rachmaninov and Chopin

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I’ve been listening to a spectacular new recording released last October by cellist Alisa Weilerstein and pianist Inon Barnatan. The disc features two monumental works: Rachmaninov’s heroic Cello Sonata in G minor, Op. 19 and Chopin’s stormy and unrelentingly virtuosic Cello Sonata in G minor, Op. 65. A few shorter works round out the CD: Vocalise, Rachmaninov’s famous song without words, and Chopin’s  Étude, Op. 25, No. 7 and Polonaise Brillante, Op. 3. Although Weilerstein and Barnatan have been performing …

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Beethoven’s Seventh: The Apotheosis of Dance

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Next week, on Monday evening, I’ll be joining my Richmond Symphony colleagues to perform a free benefit concert for the United Way, organized by the Symphony Musicians of Richmond, our players’ association (details here). The program includes Beethoven’s Seventh Symphony, a piece we explored briefly in this past Listeners’ Club post. It’s hard to imagine any music more appropriate for the occasion. In fact, the first performance of the Seventh Symphony, which took place on …

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Who Wrote “Lully’s” Gavotte?

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Towards the end of Volume 2 of the Suzuki Violin Repertoire, there’s a charming little gavotte attributed to the French baroque composer Jean-Baptiste Lully (1632-1687). It’s based on a 1904 arrangement by the German violinist Willy Burmester, which you can hear in this old recording played by Carl von Garaguly. It’s likely that Shinichi Suzuki heard this arrangement in his twenties when he was studying in Berlin with another German violinist Karl Klinger. Cellist Mischa Maisky included Burmester’s …

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