Bach’s Partita No. 1 in B-flat Major, BWV 825: Music of “Spiritual Delight”

Published in 1726, the Partita No. 1 in B-flat Major, BWV 825 is the first of a set of six keyboard suites which J.S. Bach composed between 1725 and 1731. Following the English and French Suites, this music was groundbreaking, both technically and musically. Bach referred to it as his “opus 1,” and offered it “to music lovers in order to refresh their spirits.” Here, Bach is cast in the role of …

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Telemann’s Oboe Concerto in D Minor: Han de Vries and Alma Musica Amsterdam

For the German composer Georg Philipp Telemann (1681-1767), writing music seems to have been an effortless part of daily life. Celebrated alongside J.S. Bach and Handel as one of the most significant composers of his time, Telemann produced more than 6,000 works. This amazing catalogue includes at least twelve concertos for oboe (or the slightly deeper oboe d’amore) which are set in the Italian concerto da chiesa (church concerto) form. This form features four …

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Brice Montagnoux Plays Couperin: Offertoire sur les Grands Jeux

The French organist and Baroque specialist, Brice Montagnoux, passed away suddenly and unexpectedly on April 27. He was 44. The cause of death has not been disclosed. In addition to performing internationally, Montagnoux served as professor of organ at the Conservatoire TPM in Toulon. In 2012, he became director of Institut d’Enseignement Supérieur de la Musique in Aix-en-Provence. Montagnoux is survived by his wife, Eva Villegas, a clarinetist. The two performed together frequently as a …

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Celebratory Bach: From the E Major Partita to the Cantata, BWV 29

J.S. Bach’s Partita No. 3 in E Major for solo violin begins with the famous and iconic Preludio.  Sweeping forward in a continuous stream of sixteenth notes, it forms a celebratory musical announcement. The opening bars employ a virtual pedal tone which remains rooted in E major for more than half a minute. Then, the music leaves “home” and moves through a series of adventures, only to return, triumphantly, in the coda. We get …

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Handel’s Concerto Grosso, Op. 6, No. 11 in A Major: Bremer Barockorchester

George Frideric Handel was one of music history’s most successful entrepreneurs. Handel’s 40-plus Italian operas brought the finest singers of the day to the London stage and earned the composer celebrity status. Yet, in 1738 when opera seria began to fall out of favor with English audiences, Handel transitioned seamlessly to a popular new genre, the dramatic oratorio. As an added attraction, he composed the twelve Concerti Grossi, Op. 6 to be performed between …

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Leonidas Kavakos Plays Bach: Sonata No. 3 in C Major, Adagio and Fuga

The Greek violinist Leonidas Kavakos describes J.S. Bach’s Sonatas and Partitas for Solo Violin (BWV 1001–1006) as “the most perfect music ever written.” The violin is an instrument which is usually associated with a single, singing melodic line. Yet Bach’s six suites open the door to a magical polyphonic world in which a single violin can create multiple voices. This counterpoint is especially vivid in the three fugues (included in the Sonatas) and the D …

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Vivaldi’s Trio Sonata No. 12 in D Minor, RV 63: Variations on “La Follia”

Antonio Vivaldi’s Twelve Trio Sonatas, Op. 1, published in 1705, conclude with a dazzling display of musical fireworks. The Sonata No. 12 in D minor, RV 63 unfolds in a single movement made up of twenty variations on La Follia. This theme, first recorded in Francisco de Salinas’ 1577 treatise, De musica libri septem, originated in Portuguese dance music. It was used by numerous composers throughout the Baroque period, including Jean-Baptiste Lully, Domenico Scarlatti, Purcell, …

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