Classical Period

Schubert’s String Quintet in C Major: The Alban Berg Quartet and Heinrich Schiff

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On Monday we listened to a brief sample of recordings by the late cellist Heinrich Schiff. In today’s post, I want to include one more: a soulful 1983 recording of Franz Schubert’s String Quintet in C Major in which Schiff joins the Alban Berg Quartet. The album is listed, deservedly, among EMI’s “Great Recordings of the Century.” This piece was written in 1828, in the final two months of Schubert’s life, and only received …

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Celebrating Beethoven’s 246th Birthday

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Beethoven was born on this day in 1770. His birthplace in Bonn, the Beethovenhaus, is pictured above. In celebration, here is a fiery performance of the Egmont Overture, Op 84, written to open a set of incidental music for the Vienna premiere of a play by Johann Wolfgang von Goethe (1754-1832). Beethoven received the commission in 1809, around the height of the Napoleonic Wars. In May of that year, Beethoven hid in his brother’s basement during the …

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The Belcea Quartet Plays Haydn

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Franz Joseph Haydn has been called the “Father of the String Quartet.” His sixty-eight quartets, written between 1762 and 1803, pushed the genre beyond frothy court entertainment, setting the stage for composers who followed. Haydn’s quartets demand focused, attentive listening. While earlier string quartets often featured a solo first violin and three accompanying voices, Haydn’s quartets unleash a magical dialogue between equal voices, something Goethe described as, “four rational people conversing.” We often think of …

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Beethoven and the Spirit of Gratitude

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Intense, heroic struggle culminating in transcendent exultation and joy- these are elements that we often associate with the music of Beethoven. But lately I’ve noticed that in rare, fleeting moments throughout Beethoven’s works another power seems to emerge, mysteriously. It can best be described as gratitude- a sense of surrender and a glimpse of the transcendent. It’s something we hear in the “Holy song of thanksgiving of a convalescent to the Deity, …

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Schubert’s Time-Altering Nocturne

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This week, I’m playing Schubert’s monumental Ninth Symphony (the “Great”). It’s a piece which pushes the envelope towards Romanticism in some interesting ways. Can you think of any other symphony from the 1820s that starts this way with a single melodic line in the horns or uses the trombones as a prominent solo voice? The Ninth was Schubert’s last completed symphony and it was virtually unknown until Schumann and Mendelssohn rediscovered it in …

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New Release: Mitsuko Uchida Plays Mozart Piano Concertos 17, 25

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Pianist Mitsuko Uchida and the Cleveland Orchestra have released a new album featuring two Mozart Piano Concertos (No. 17 and 25). The performances were recorded live at Severance Hall last February. Over the past five years, Uchida and the Cleveland Orchestra have recorded select Mozart Piano Concertos on the Decca label. This is the fourth and final album in the series. (The first won a Grammy in 2011). Mitsuko Uchida recently offered this …

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Three Classic Recordings of Gossec’s Gavotte

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Let’s finish the week with three classic recordings of the charming, bubbly gavotte which concludes Book 1 of the Suzuki Violin repertoire. It’s a piece you may recognize, even if you’re unfamiliar with its composer- the now largely forgotten François-Joseph Gossec (1734-1829). Originally written for the 1786 opera, Rosine, Gossec’s Gavotte found its way into this 1938 Looney Tunes film. Gossec, a contemporary of Haydn, wrote numerous operas and orchestral works (Symphony in F Major), …

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