Classical Period

Schubert’s “Unfinished” Symphony: Haunting, Mysterious, Groundbreaking

by

Take a moment, hook in your best pair of headphones, maybe even close your eyes, and listen to the first haunting bars of Franz Schubert’s “Unfinished” Eighth Symphony. It begins with a single, hushed melodic line in the low strings which quickly gives way to shivering violins and darkly pulsating bass pizzicati. Then, a lamenting new voice enters- a strange, almost indistinguishable sonority which blends oboe and clarinet. Immediately, we’re drawn into …

Read more

Beethoven’s “Spring” Sonata: Isabelle Faust

by

A continuous vibrato is one of the key elements of modern violin playing. So it’s easy to forget that there was a time when vibrato was used much more sparingly as an ornament. Listen to German violinist Joseph Joachim’s 1903 recordings of Brahms’ Hungarian Dance No. 1 and No 2 and you’ll hear this older approach to sound. In a 2011 interview, German violinist Isabelle Faust discusses Joachim’s insistence on strict tempos and limited vibrato in Brahms’ …

Read more

10 Musical Adaptations of “God Save the Queen”

by

On Monday, Britain celebrated Queen Elizabeth II’s Sapphire Jubilee, marking her 65 years on the throne. At 90, Her Majesty is the world’s longest-reigning monarch. The milestone reminded me of the nearly 140 composers who have created musical adaptations of God Save the Queen, an ancient melody that may have originated in plainchant long before it was attributed to the English composer and organ-builder John Bull in 1619. Here are ten of the most …

Read more

Beethoven’s Eighth Symphony: An Overlooked Gem

by

When it came to writing symphonies, Beethoven seems to have ascribed to the wisdom of moderation. Beethoven’s odd numbered symphonies (especially, beginning with the Third) were big, heroic game changers. The first audiences must have been stunned by their bold innovations and their often ferocious, titanic energy. By contrast, the often-neglected even numbered symphonies are sometimes described as more “classical.” They open up a strikingly different, but equally thrilling, world. One of …

Read more

The Struggle of Fidelio: Beethoven’s Four Overtures

by

Rossini would have been a great composer if his teacher had spanked him enough on the backside. -Ludwig van Beethoven The Italian opera composer Gioachino Rossini was, as the story goes, the ultimate procrastinator. He would often dash off the overture for a new opera the night before the opening. In the case of The Thieving Magpie, he waited until the day of the opening. Sometimes he reused a previously written overture, substituting one frothy musical joyride for …

Read more

Schubert’s String Quintet in C Major: The Alban Berg Quartet and Heinrich Schiff

by

On Monday we listened to a brief sample of recordings by the late cellist Heinrich Schiff. In today’s post, I want to include one more: a soulful 1983 recording of Franz Schubert’s String Quintet in C Major in which Schiff joins the Alban Berg Quartet. The album is listed, deservedly, among EMI’s “Great Recordings of the Century.” This piece was written in 1828, in the final two months of Schubert’s life, and only received …

Read more

Celebrating Beethoven’s 246th Birthday

by

Beethoven was born on this day in 1770. His birthplace in Bonn, the Beethovenhaus, is pictured above. In celebration, here is a fiery performance of the Egmont Overture, Op 84, written to open a set of incidental music for the Vienna premiere of a play by Johann Wolfgang von Goethe (1754-1832). Beethoven received the commission in 1809, around the height of the Napoleonic Wars. In May of that year, Beethoven hid in his brother’s basement during the …

Read more