Remembering Allan Holdsworth

Allan Holdsworth, the legendary British-born jazz fusion guitarist, passed away earlier this month. He was 70. Holdsworths’ stunning virtuosity and harmonic innovations influenced rock guitarists such as Eddie Van Halen. He was called “the John Coltrane of the guitar.” In 1983, the New York Times’ Jon Pareles wrote: He pours out notes in a liquid rush without slurring a single one. His sense of harmony reveals itself in daring melodic extrapolations and in chords that …

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Remembering Stanislaw Skrowaczewski

Stanislaw Skrowaczewski, the Polish-American conductor and composer, passed away last week. He was 93. Following his defection from Poland, Skrowaczewski served as music director of the Minnesota Orchestra from 1960 to 1979. He is credited with raising the level of the prestigious ensemble, as well as advocating for the construction of Orchestra Hall. Eugene Ormandy described him as “the last great music director,” adding that “They just don’t make us anymore.” Skrowaczewski talks about his life …

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The 2017 Oscars: Nominees for Best Original Score

The 89th Academy Awards are coming up this Sunday. Here are some excerpts from this year’s nominees for “Best Original Score: “Moonlight” (Nicholas Britell) Nicholas Britell’s score for Moonlight alters and manipulates sound in a way that is similar to expressive techniques used in cinematography. In this interview with The Frame, the Juilliard-trained pianist and composer said, Barry [Jenkins, the director] told me right from the beginning about his love of “chopped and screwed” music, which …

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The 2017 Classical Grammys

Here is an overview of last weekend’s 2017 Grammy Awards in the classical categories. From opera to chamber music, the list features a heavy dose of American contemporary music: Best Orchestral Performance Shostakovich: Under Stalin’s Shadow – Symphonies Nos. 5, 8 & 9 Andris Nelsons, conductor (Boston Symphony Orchestra) This is the second installment in a series of live-concert Shostakovich recordings by Music Director Andris Nelsons and the Boston Symphony on the …

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Hamburg’s New Elbphilharmonie: “Here Time Becomes Space”

Here time becomes space. This enigmatic line from Wagner’s Parsifal suggests the transcendent nature of the 1882 work, which dramatizes a twelfth-century knight’s quest for the Holy Grail. Parsifal goes beyond opera, transporting us into a mystical new realm. Foremost, it’s an experience. Appropriately, this line became the theme for last week’s inaugural concerts of Hamburg’s spectacular, new Elbphilharmonie- the long-anticipated home of the NDR Sinfonieorchester (North German Radio Symphony Orchestra), now renamed the NDR Elbphilharmonie Orchestra. In …

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Remembering Sir Neville Marriner

Every great conductor started out as an accomplished instrumentalist. Look at the biography of Sir Neville Marriner, who passed away yesterday at the age of 92, and you’ll be reminded of this truism. In the 1950s, Marriner performed as a violinist in two celebrated orchestras: the Philharmonia and the London Symphony. For 13 years, he served as second violinist of the Martin String Quartet. He first picked up a baton around age 40. …

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Adolph Herseth and the Chicago Sound

Adolph “Bud” Herseth, the longtime principal trumpeter of the Chicago Symphony passed away in April, 2013. Herseth’s 53-year association with the Chicago Symphony began in 1948 when conductor Artur Rodzinski invited him to audition for the CSO’s principal trumpet position. Herseth will forever be associated with the distinct sound of the Chicago Symphony brass section, which developed in the 1950s and 60s during Fritz Reiner’s tenure as music director and flourished during Georg Solti’s tenure …

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