Bruckner’s Fifth Symphony: An Awe-Inspiring Contrapuntal Edifice

“Music is liquid architecture; architecture is frozen music,” said the eighteenth century German writer, Johann Wolfgang von Goethe. Anton Bruckner’s Symphony No. 5 in B-flat Major may be the most architectural symphony ever written. Constructed with monumental building blocks which are assembled according to principles of balance, proportion, and repetition, its four movements add up to a majestic and soaring musical structure. It takes us on a gradual, time-altering procession which requires that …

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Rachmaninov’s “The Bells”: A Choral Symphony Inspired by Poe

During a vacation in Rome in 1907, Sergei Rachmaninov received an anonymous letter which contained an intriguing text. It was Edgar Allan Poe’s 1849 poem, The Bells, freely translated and adapted by the Russian symbolist poet, Konstantin Balmont. Included was a note from the mysterious sender which suggested that the verses were ripe for a musical setting and that they were well-suited to the composer’s temperament. After Rachmaninov’s death, it was revealed that the …

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Schumann’s Third Symphony, “Rhenish”: A Majestic Musical Portrait

In 1850, Robert Schumann moved with his family to Düsseldorf to accept a position as music director of the city’s orchestra and chorus. The composer, who from birth had lived in Saxony, reveled in a new, picturesque landscape dominated by the majestic Rhine River. In her diary, Clara Schumann described a cruise down the river which revealed the Gothic splendor of the still unfinished Cologne Cathedral. She wrote, “We were enchanted…by the …

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Vaughan Williams’ “Sinfonia Antartica”: From Film Score to Symphony

In a 1944 essay titled Film Music, Ralph Vaughan Williams wrote, “I still believe that the film contains potentialities for the combination of all the arts such as Wagner never dreamt of.” Beginning in 1940, Vaughan Williams composed scores for eleven films. Among these was the 1948 Technicolor adventure film, Scott of the Antarctic, which told the story of the ill-fated 1912 British expedition to Antarctica, led by Captain Robert Falcon Scott. The venture went south …

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Remembering Dale Clevenger

Dale Clevenger, the legendary principal horn player for the Chicago Symphony from 1966 to 2013, passed away on January 5. He was 81. Born in Chattanooga, Tennessee, Clevenger began playing the horn at the age of 13. Before joining the Chicago Symphony, he was a member of Leopold Stokowski’s American Symphony Orchestra and the Symphony of the Air. His discography included the Grammy-winning 1968 album, The Antiphonal Music of Gabrieli, featuring the brass sections …

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Vaughan Williams’ “A London Symphony”: Ode to an Ephemeral City

Ralph Vaughan Williams recalled that the impetus for A London Symphony came during a fleeting conversation with fellow English composer, George Butterworth: At the end of the evening, just as he was getting up to go, he said, in his characteristically abrupt way, ‘You know, you ought to write a symphony.’ From that moment the idea of a symphony – a thing which I had always declared I would never attempt – dominated my …

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Beethoven’s Fifth Symphony: An Exhilarating Motivic Journey

“Short, short, short, long…” The four notes which open Beethoven’s Fifth Symphony outline what is perhaps music history’s most iconic motif. It’s a motif which has been subjected to pop culture cliches and dubious superimposed poetic associations, such as “fate knocking at the door.” This motivic kernel, perhaps derived from Luigi Cherubini’s 1794 French Revolution anthem Hymne au Panthéon, is the seed out of which the entire Fifth Symphony develops. Preceded by a …

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