Roméo et Juliette: Berlioz’ Dramatic Symphony

…Here a new world is opened up to view, one is raised into a higher ideal region, one senses that the sublime life dreamed of by poets is becoming a reality.  This is how Hector Berlioz described the dramatic potential of a bold new kind of symphonic music- a free-spirited Romanticism born out of the earth-shattering monumentality of Beethoven’s Ninth, which left behind classical balance and order to enter dark, new psychological …

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Rachmaninov the Melodist

I feel like a ghost wandering in a world grown alien. I cannot cast out the old way of writing and I cannot acquire the new. I have made an intense effort to feel the musical manner of today, but it will not come to me. -Sergei Rachmaninov Sergei Rachmaninov was a composer who was out of step with the times. As twentieth-century music became increasingly atonal, complex, and in some cases …

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New Release: Mitsuko Uchida Plays Mozart Piano Concertos 17, 25

Pianist Mitsuko Uchida and the Cleveland Orchestra have released a new album featuring two Mozart Piano Concertos (No. 17 and 25). The performances were recorded live at Severance Hall last February. Over the past five years, Uchida and the Cleveland Orchestra have recorded select Mozart Piano Concertos on the Decca label. This is the fourth and final album in the series. (The first won a Grammy in 2011). Mitsuko Uchida recently offered this …

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Max Richter: November

November is the ninth track on Max Richter’s 2002 debut album, Memoryhouse. Words like “neoclassical” and “post-minimalist” have been used to describe the German-born British composer’s music. It blends elements of contemporary classical music (Richter studied with the Italian experimentalist Luciano Berio) with electronic and pop influences. The result is a slowly-developing ambient sound world which draws on the diverse sounds of the twenty-first century. Richter has produced numerous film and television scores. Here is a contemplative excerpt …

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New Release: Montreal Symphony’s “Danse Macabre” Celebrates the Supernatural

Kent Nagano and the Montreal Symphony have released a spooky new album on the Decca label just in time for Halloween. Danse Macabre features some well-known favorites as well as some surprises. Paul Dukas’ colorful tone poem, The Sorcerer’s Apprentice is full of sparkling wizardry and adventure. This passage must have influenced John Williams’ film score for Star Wars. Also included is Modest Mussorgsky’s Night on Bald Mountain. (I offered a few thoughts on this ghoulish piece along with …

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Five Spine-Chilling Bernard Herrmann Scores

Consider your favorite classic Alfred Hitchcock films- psychological thrillers such as Vertigo and Psycho. Many elements add up to make these films enduring works of art, including the innovative framing of shots and voyeuristic camera angles which mimic the viewer’s gaze. Perhaps equally important is the music of Bernard Herrmann (1911-1975). As Matt Williams writes in this 1999 article, Herrmann’s music was groundbreaking, delving into the dark inner psychology of the character more deeply than had ever been done …

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Debussy’s Estampes: Three Exotic Soundscapes

The music I desire must be supple enough to adapt itself to the lyrical effusions of the soul and the fantasy of dreams. -Claude Debussy I’ve always loved Claude Debussy’s descriptive titles. They often seem as if they could be interchangeable with the simple, poetic titles of the great French Impressionist paintings- hazy, intangible dreamscapes of color and light which seem to open the door to a parallel world lurking just beneath …

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