Opera, with its rich blend of music, drama and staging, is one of the most complex art forms on the planet. If you’ve ever been curious about the myriad of subtle details that singers encounter as they bring an opera scene to life, watch the clip below from a young artists’ workshop at London’s Royal Opera House. Conductor Sir Mark Elder coaches soprano Susana Gaspar and tenor Michel de Souza in Marcello and Mimì’s duet …
It’s one of the scariest pieces ever written. Both shockingly violent and erotic, Béla Bartók’s “pantomime grotesque” ballet, The Miraculous Mandarin, was met with “catcalls, stamping, whistling and booing” at its premiere in Cologne, Germany in November, 1926. The ensuing scandal, which whipped up the fury of Cologne’s clergy and press, among others, caused the mayor, Konrad Adenauer (later the first chancellor of post-war West Germany) to ban the work on moral grounds. The ballet’s plot, …
Walter Piston’s Second Symphony, written in 1943, is one of those mid-twentieth century American musical gems that deserves to be heard more often. Following its National Symphony Orchestra premiere in March, 1944, conductor Hans Kindler declared that the symphony, is without even the shadow of a doubt one of the half dozen great works written during the last ten years. It sings forever in my heart and in my consciousness, and it does …
Niccolò Paganini’s Twenty-four Caprices were written for solo violin between 1802 and 1817. Each features one or two distinct technical challenges for the violin. In 1918 the Polish composer Karol Szymanowski (1882-1937) radically transformed the 20th, 21st and 24th caprices by adding piano accompaniment. Listen to the original Caprice No. 20, which opens with a simple melody accompanied by a D string drone. Then listen to Szymanowski’s slightly haunting version, which drips with an opulent pre-war Viennese …
Spring won’t let me stay in this house any longer! I must get out and breathe the air deeply again. -Gustav Mahler Spring seems to erupt with a raucous fervor from the first notes of Gustav Mahler’s Der Trunkene Im Früling (“The Drunken Man in Spring”). The song is part of Das Lied von der Erde (“The Song of the Earth”), Mahler’s combination symphony and song cycle, completed in 1909. The text comes from Die chinesische …
(photo above: from HollyMulcahy.com, Photo by Bo Huang) This week a gloomy story came out in the Pittsburgh Post-Gazette following a $100,000 audience development study conducted by the Pittsburgh Symphony Orchestra. Taken at face value, the study seems to have uncovered some troubling community perceptions. Despite having one of the world’s greatest orchestras in their backyard, the focus group of non-ticket buyers perceived PSO concerts as “boring” and “stuffy.” At least one commentator is pointing out the study’s …
Benjamin Britten’s 1943 setting of the Irish folk song, The Salley Gardens seems to float in midair with a surreal, hypnotic beauty. An undercurrent of continuous eighth notes runs throughout the song, suggesting a static, dreamlike atmosphere…a sense of motion within timelessness. In the opening, haunting three-note fragments seem to be searching for a way forward. Listen to the way this piano line returns with interjections throughout the song. Also listen for the sudden …