Rachmaninoff

Rachmaninov’s “Cherubic Hymn,” from the Liturgy of St. John Chrysostom

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Last week, we listened to Tchaikovsky’s meditative a cappella choral work, Hymn of the Cherubim, an excerpt from the Divine Liturgy of Saint John Chrysostom, one of the central eucharistic services of the Eastern Orthodox Church. Completed in 1878, this work has the distinction of being the first “unified musical cycle” of settings from the Liturgy, most of which is attributed to Saint John Chrysostom, Archbishop of Constantinople in the 5th century. Today, let’s listen to another later …

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Rachmaninov’s First Piano Concerto: An Eruption of Youthful Vitality

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Rachmaninov’s First Piano Concerto begins with a bold announcement. It’s a striking fanfare in the horns which evokes all of the ominous power of the fateful opening bars of Tchaikovsky’s Fourth Symphony. This fanfare unleashes an equally exuberant proclamation in the virtuosic solo piano, which erupts like a force of nature. Filled with audacious youthful vitality, this unstoppable sonic torrent seems to be saying, “My time has come, and nothing is going to get …

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Rachmaninov’s Third Symphony: Freedom in Exile

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Sergei Rachmaninov spent much of his life in exile, both literally and as a composer. In December of 1917 at the outbreak of the Russian Revolution, Rachmaninov and his wife, Natalia, fled Russia, eventually building their Villa Senar on the idyllic shores of Switzerland’s Lake Lucerne. It was here that Rachmaninov composed the Symphony No. 3 in A minor during the summers of 1935 and 1936. His work on this final symphony was interrupted by an …

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Eight Composers on Piano Roll

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When you consider the piano roll, what kind of music comes to mind? Probably Scott Joplin’s elegant rags, or perhaps the exuberant swing of Tin Pan Alley. Interestingly, a number of less likely composers, from Mahler and Debussy to the 80-year-old Camille Saint-Saëns, were recorded on piano rolls in the early years of the twentieth century. In some cases, these are the only historical record of the composer’s playing. Additionally, they offer …

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The 2016 Classical Grammys

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Here is an overview of the 2016 Grammy Awards in the classical categories, announced earlier this week. The list is dominated by twentieth century music, both familiar and obscure. Several of the albums are live concert recordings. Best Orchestral Performance “Shostakovich: Under Stalin’s Shadow — Symphony No. 10,” Andris Nelsons, conductor (Boston Symphony Orchestra) This is Andris Nelsons’ inaugural recording as Music Director of the Boston Symphony. The album includes Shostakovich’s Symphony No. …

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Rachmaninov and the "Philadelphia Sound"

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Above: Rachmaninov and conductor Eugene Ormandy during a rehearsal at the Academy of Music in 1938. (from the Philadelphia Orchestra’s website). Great orchestras develop an institutional collective memory. As conductors and players come and go, they often leave a subtle mark on the sound, style, and soul of the ensemble. New players are assimilated into a dynamic, ever-evolving team. The esteemed history of the Philadelphia Orchestra is a case in point. For years the …

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1921 Recording: Rachmaninov Plays Kreisler

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The legendary violinist Fritz Kreisler and Sergei Rachmaninov performed frequently together, luckily leaving behind a few recordings of their collaboration. On one occasion, as the story goes, Kreisler had a memory slip during a performance. Fumbling around the fingerboard and attempting to improvise his way out of the predicament, he inched his way towards the piano, whispering helplessly, “Where are we?” Rachmaninov answered, “In Carnegie Hall.” As a tribute to their friendship, …

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