Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa. The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States. A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

Tchaikovsky’s “Hymn of the Cherubim”: A Celestial Meditation

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Hymn of the Cherubim is an excerpt from the Liturgy of St. John Chrysostom, Op. 41, a sacred, a cappella choral work Tchaikovsky completed in 1878. It was the first “unified musical cycle” of settings of the Divine Liturgy of Saint John Chrysostom, one of the central eucharistic services of the Eastern Orthodox Church. The core of the text is attributed to Saint John Chrysostom, Archbishop of Constantinople in the 5th century. “A vast and untrodden field of …

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Haydn’s Symphony No. 39: “Tempesta di mare”

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Franz Joseph Haydn’s Symphony No. 39 takes us on a wildly exhilarating and tempestuous ride. It’s no wonder that this symphony, written in 1767 around the time Haydn became Kapellmeister for Prince Nikolaus Esterházy, earned the poetic nickname, “Tempesta di mare,” or “storm at sea.” Set in a turbulent G minor, it is an early example of Sturm und Drang (translating literally as “storm and drive”), an artistic movement which swept through music and literature from the 1760s …

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Rodgers and Hart: Ten Enduring Songs

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Last week, we celebrated the 117th anniversary of the birth of Richard Rodgers with one of the composer’s piano roll recordings. We discussed the simple, effortless perfection of Rodgers’ melodies and the way his style changed from his work with lyricist Lorenz Hart in the 1920s and 30s to his partnership with Oscar Hammerstein II in the 1940s and 50s. The latter collaboration transformed the Broadway musical from a loose collection of catchy …

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Jeffrey Kahane’s Improvisation on “American the Beautiful”

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Jeffrey Kahane’s improvisation on Samuel A. Ward’s “American the Beautiful” moves beyond fervent, flag-waving patriotism into something more sombre, introspective, and quietly majestic. As a solo pianist, Kahane turns to this soulful impromptu as a frequent encore. You may also know Jeffrey Kahane as a conductor. He served as music director of the Los Angeles Chamber Orchestra for twenty years and the Colorado Symphony Orchestra from 2005 to 2010. His son, Gabriel Kahane is a …

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Three Youthful American Overtures: Music of Barber, Copland, and Schuman

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Festive American music will be as much on the menu as hot dogs and hamburgers this week as we celebrate Independence Day across the United States. In anticipation of the holiday, here are three thrilling and festive American overtures from the mid twentieth century. The indomitable spirit of youth permeates all three of these pieces: Barber: Overture to “The School for Scandal,” Op. 5 This was the young 21-year-old Samuel Barber’s first …

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Richard Rodgers on Piano Roll

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Today marks the 117th anniversary of the birth of Richard Rodgers (1902-1979). In his book, American Popular Song: The Great Innovators, 1900-1950, the composer and commentator Alec Wilder wrote, Of all the writers whose songs are considered and examined in this book, those of Rodgers show the highest degree of consistent excellence, inventiveness, and sophistication … After spending weeks playing his songs, I am more than impressed and respectful: I am astonished. Melodies seem …

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Mendelssohn’s Violin Concerto: “The Heart’s Jewel”

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In 1906, on the occasion of his 75th birthday, the great Hungarian violinist Joseph Joachim offered an assessment of what remain four major pillars of the solo violin repertoire: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven’s. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart’s jewel, is Mendelssohn’s. Indeed, Felix Mendelssohn’s …

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