Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa. The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States. A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

Saying Goodbye to Summer with Gershwin’s “Summertime”

by

In observance of Labor Day and the unofficial end of summer, here is a landmark recording of George Gershwin’s Summertime, featuring Ella Fitzgerald and Louis Armstrong. This is an excerpt from their 1957 jazz studio album, Porgy and Bess. The album popularized Summertime and other music from Gershwin’s 1935 opera. (Two years later, a film version of Porgy and Bess was released, starring Sidney Poitier and Dorothy Dandridge). Fitzgerald was a longtime friend of the Gershwins. Ira Gershwin once …

Read more

Bobby McFerrin’s “Baby”: The Human Body as an Instrument

by

The American jazz vocalist Bobby McFerrin turns the human body into the ultimate instrument. This live concert clip demonstrates the ten-time Grammy Award winning artist’s virtuosity. (At one point, you will hear a spectacular display of polyphonic overtone singing in which two musical lines can be heard simultaneously). McFerrin frequently draws on improvisation and the African musical tradition of call and response. This 1995 album with the Saint Paul Chamber Orchestra features …

Read more

Debussy’s Cello Sonata: A Celebration of Classical Form

by

In 1914, at the encouragement of his music publisher Jacques Durand, Claude Debussy set out to compose a cycle of Six Sonatas for Various Instruments. In a letter to the conductor Bernard Molinari, Debussy explained that, in terms of instrumentation, the collection would feature “different combinations, with the last sonata combining the previously used instruments.” The project was undertaken at a time when Europe was ravaged by the First World War and Debussy suffered from …

Read more

Handel’s Musical Depictions of Birdsong

by

Sweet bird, that shun’st the noise of folly, Most musical, most melancholy! Thee, chauntress, oft the woods among, I woo to hear thy even-song. Or, missing thee, I walk unseen, On the dry smooth-shaven green, To behold the wand’ring moon Riding near her highest noon. -John Milton, Il Penseroso  George Frideric Handel set these lines to music in his 1740 secular oratorio, L’Allegro, il Penseroso ed il Moderato (“The Cheerful, the Thoughtful, and the …

Read more

Richard Rodgers and the Waltz

by

At the beginning of the summer, we explored ten enduring songs that Richard Rodgers wrote with the lyricist Lorenz Hart. Today, I want to return to the effortless and seemingly inevitable melodies of Rodgers, this time with a focus on the waltz. Countless waltzes can be found among Richard Rodgers’ 900-plus songs, written for some 43 Broadway musicals. Many contain a trace of the Viennese operetta music Rodgers heard as a child, which included …

Read more

Debussy’s Sonata for Flute, Viola, and Harp: The Land of Laughter and Tears

by

In 1914, with the encouragement of his music publisher Jacques Durand, Claude Debussy set out to compose a cycle of Six Sonatas for Various Instruments. In a letter to the conductor Bernard Molinari, Debussy explained that, in terms of instrumentation, the collection would feature “different combinations, with the last sonata combining the previously used instruments.” The project was undertaken at a time when Europe was ravaged by the First World War and Debussy suffered from …

Read more

Einojuhani Rautavaara’s “A Tapestry of Life”: Four Atmospheric Snapshots

by

Einojuhani Rautavaara’s 2007 orchestral tone poem, A Tapestry of Life, is set in four movements which feel like cinematic snapshots. Each movement inhabits a distinctly atmospheric world in which a vast, shimmering soundscape opens in front of us. The music unfolds in time, but it also gives us the same serene, floating sensation we might get looking out of the window of an airplane at the gradually-shifting view. Dreamlike associations with words and poetic …

Read more