Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa. The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States. A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

1963 Telecast: Hindemith Leads the CSO in Music of Hindemith, Bruckner, Brahms

by

In 1963, the Chicago Symphony Orchestra was in transition. The French conductor, Jean Martinon, was beginning his five-year tenure as music director following the death of the legendary Fritz Reiner. Over the preceding ten years, the fierce and autocratic Reiner had turned the CSO into what Igor Stravinsky called, “the most precise and flexible orchestra in the world.” We hear the ensemble Reiner built in all of its glory in this April 7, …

Read more

The Bells of Ulm Minster

by

Today, we pay homage to the German-American musicologist Karl Haas, who hosted the nationally syndicated  radio program, Adventures in Good Music, between 1970 and 2007. One of the show’s most popular episodes, The Story of the Bells, was broadcast at Christmastime. It documented the distinct sounds of church bells throughout Europe, from the mighty cacophony of Zurich, to the pastoral serenity of the Alpine village of Arosa, to the highly ordered change ringing of Westminster Abbey. …

Read more

Lutoslawski’s Twenty Polish Christmas Carols: Festive Colors and Cradle Songs

by

During the 1930s and 40s, war-ravaged Poland suffered first under the occupation of the Nazis and then the Soviets. In 1946, as the ominous clouds of totalitarianism and cultural censorship gathered, the Polish composer Witold Lutosławski (1913–1994) compiled a collection of nineteenth century Christmas carols from his homeland. Originally written for voice and piano, the Twenty Polish Christmas Carols were premiered by the soprano Aniela Szleminska and pianist Jan Hoffman in Kraków in January, 1947. The piece …

Read more

Sibelius’ “Pohjola’s Daughter”: Tone Poem and Mythic Vision

by

Jean Sibelius’ 1906 tone poem, Pohjola’s Daughter, was inspired by a mythic story outlined in Cantos 8 of the Kalevala, the Finnish national epic. Väinämöinen, the white-bearded demigod, is speeding through the Finnish landscape on his sleigh when he spots a beautiful maiden sitting on the edge of an enormous rainbow. Captivated, Väinämöinen asks her to join him on his sleigh and to become his wife. The seductive maiden agrees on the condition that …

Read more

Tchaikovsky’s Sérénade Mélancolique: A Russian Lament

by

In January of 1875, Tchaikovsky met the great violinist and pedagogue, Leopold Auer. Tchaikovsky, who at the time was putting the finishing touches on his First Piano Concerto, accepted Auer’s request for a piece for violin and orchestra. The result was the single-movement Sérénade mélancolique, Op. 26. Auer’s initial rejection of Tchaikovsky’s Violin Concerto led the composer to remove the dedication to Auer from both works. The first performance of the Sérénade …

Read more

Shostakovich’s Second Piano Concerto: A Youthful Romp

by

An infectious lightness of spirit pervades Dmitri Shostakovich’s Piano Concerto No. 2 in F Major, Op. 102. It’s music which takes us on a brief, jubilant romp filled with youthful vitality, cheerful and quirky voices, and unabashed humor. It sparkles with a witty Haydnesque classicism. The lushly beautiful second movement moves into a space of dreamy intimacy and warmth. Shostakovich composed this music in 1957 in celebration of the 19th birthday of …

Read more

Vaughan Williams’ “Fantasia on a Theme by Thomas Tallis”: Ghosts of the English Renaissance

by

Ralph Vaughan Williams’ Fantasia on a Theme by Thomas Tallis is filled with ghosts. Composed in 1910, this haunting single-movement work for string orchestra develops from a melody written nearly 400 years earlier by the English Renaissance composer, Thomas Tallis. Tallis’ hymn melody, one of nine written in 1567 for the Archbishop of Canterbury, is tinged with a sense of quiet mystery and lament. With continuous harmonic and metric shifts, it feels mysterious …

Read more