Beethoven’s Violin Concerto

Beethoven’s Violin Concerto in D major, Op. 61 set the standard for all violin concertos which followed, but you might not have known it at the first performance on December 23, 1806. According to legend Beethoven finished writing the solo part so late that Franz Clements, the violinist who gave the premier, was forced to sight read part of the concerto in the performance. In addition, Clements may have performed one of his …

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Following the Ninth

A new film is out which explores the legacy of Beethoven’s Ninth Symphony. Following the Ninth: In the Footsteps of Beethoven’s Final Symphony, directed by Kerry Candaele, highlights the timelessness of the music and its political and social significance. From Pinochet’s Chile to Tiananmen Square to the fall of the Berlin Wall, the final movement’s Ode to Joy has emerged as a universal response to oppression. Its themes encompass freedom, liberation, and the universal brotherhood of man. Here …

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Beethoven’s “Eroica”, Part 2

Monday’s post featured the first movement of Beethoven’s revolutionary Symphony No. 3 in E-flat major (“Eroica”) Op. 55. This music, which helped plant the seeds of Romanticism, introduced shocking new sounds and an expansive, heroic form. Let’s continue and listen to the other three movements: [typography font=”Cantarell” size=”28″ size_format=”px”]Marcia funebre. Adagio assai[/typography] Beethoven’s second movement is a solemn funeral march. Paying attention to the rhythm, consider what aspects of the music suggest a …

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Beethoven’s “Eroica”, Part 1

Revolutionary, exhilarating, ferocious, heroic…these are all words which could describe Beethoven’s Symphony No. 3 in E-flat major (“Eroica”) Op. 55. The “Eroica” stretches the elegant Classicism of Mozart and Haydn to its breaking point and plants the seeds of Romanticism. This is music of Revolution (the French and American) and the ideals of the common man. The dawn of Romanticism brought profound changes. The stately private palace gave way to the public concert …

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Verdi’s 200th Birthday

Today marks the 200th birthday of the great Italian opera composer, Giuseppe Verdi. Verdi wrote dramatically powerful operas such as Aida, Otello, Un Ballo in Maschera and Rigoletto.  Here is the Overture to La forza del destino performed by Riccardo Muti and the Vienna Philharmonic. What moods and dramatic situations are suggested by the music? How does Verdi convey these emotions? https://www.youtube.com/watch?v=thxOV5_YCh4 The greatness of Verdi is a simple thing. Solitary by nature, he found a way of speaking …

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Developing Motives

Like Beethoven, Johannes Brahms approached music motivically. Listen to Brahms’s Intermezzo in A Major, Op. 118, No. 2 and pay attention to the first three notes. The entire piece develops organically from this small, seemingly insignificant musical cell. These three notes and the underlying harmony set up a musical question in search of an answer…a problem to be resolved. The next three notes reach further, heightening expectation. Can you sense an evolving process …

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Summer Nights with Berlioz

French composer Hector Berlioz was an innovator and a revolutionary. He heard strange, shocking new music which had never before been imagined. Berlioz’s song cycle Les nuits d’été (Summer Nights), written in 1841 is deeply psychological and infused with the ideals of Romanticism. This is music of hallucination, at times venturing into the eerie and the supernatural. It plays with our sense of time, sometimes seeming static and unsure, as if wandering through a …

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