To finish the week, here are two pieces of violinistic ear candy, performed by Simone Porter, a 19-year-old rising star. Porter began taking violin lessons through the Suzuki method at the age of 3 and a half, eventually studying with Margaret Pressley in Seattle. She is currently a student of Robert Lipsett at the Colburn Conservatory of Music in Los Angeles. Porter, who plays a 1745 J.B. Guadagnini violin on loan, has appeared on NPR’s …
The phrase Dona nobis pacem (“Grant us Peace”) comes from the Agnus Dei section of the Roman Catholic mass. It’s a simple, yet eternally powerful, invocation which has come to life in countless musical settings, from the serene simplicity of the traditional canon to the melodic perfection of Schubert’s Mass No. 6 in E-flat Major. At the end of Franz Joseph Haydn’s Lord Nelson Mass, it emerges as a triumphant celebration. In the twentieth century, it becomes a …
Jean Sibelius completed his Second Symphony in 1902 at a turbulent moment in Finnish history. Amid a surge of nationalism and renewed cultural unity, a growing movement called for Finnish independence from Russia. As Tsar Nicholas II sought to suppress Finnish language and culture, Sibelius’ music played an important role in the cultural reawakening of his homeland. Finlandia, the majestic nationalist hymn written in 1899 as a covert protest against Russian censorship, emerged as a …
John Adams has described Phrygian Gates and its shorter “companion” piece China Gates (written between 1977 and 1978) as his “Opus 1.” Built on an unrelenting sense of pulse and unfolding gradually, both pieces were influenced by the Minimalism of Terry Riley (In C), Steve Reich, and Philip Glass. Process (like phasing and gradually building musical patterns with the addition of one note at a time) lies at the heart of early Minimalism. Phrygian Gates and China Gates may be Adams’ …
From Vincent Van Gogh to Charlotte Brontë, artists, writers, and composers have occasionally entered the strange, darkly irrational world of romantic obsession. With Halloween approaching, let’s take a walk on the creepy side and explore three pieces which grew out of (what some would call) unhealthy romantic obsessions: Berlioz’ Symphonie fantastique Written partially under the influence of opium, Hector Berlioz’ Symphonie fantastique takes us into strange, hallucinogenic territory. It summons new sounds from the orchestra, which must …
The Swiss-born American composer Bernard Hoffer turns 81 today. You may not recognize Hoffer’s name, but chances are good that you’ve heard his music, especially if you’re a longtime viewer of the PBS NewsHour. The NewsHour‘s theme music (originally written in 1975 and, at one point, nominated for an Emmy) has undergone several iterations over the years, but Hoffer’s catchy six-note musical branding logo has remained. For years, the broadcast opened with that familiar solo …
Today marks the 75th anniversary of the opening of Kleinhans Music Hall in Buffalo, New York. Home of the Buffalo Philharmonic Orchestra, Kleinhans is considered one of the world’s most acoustically perfect concert halls. It’s also one of Buffalo’s most significant architectural landmarks. Located in a leafy residential neighborhood just north of the city’s downtown, it anchors majestic Symphony Circle, part of Frederick Law Olmsted’s extensive parkway system which runs throughout …