Beethoven’s Second Piano Concerto: Youthful Charm

Of Beethoven’s five piano concertos, No. 2 in B-flat major is the least well known. Written primarily between 1787 and 1789, it is some of the composer’s most youthful and vibrant music. In terms of scoring and structure, it follows the model of Mozart. As with Mozart’s concertos, the solo piano and orchestral lines blend together into a sublime musical conversation. The premiere took place in March of 1795 at a charity …

Read more

Michael Torke’s “Green”: Verdant Vibrations

What color is E major? This question will leave many listeners bemused. Yet, for the American composer Michael Torke, the key of E is inextricably linked with the color green. Torke experiences synesthesia, a neurological condition that Dr. Oliver Sachs defined as “an immediate, physiological coupling of two sorts of sensation.” It’s a blending of the senses that other composers such as Liszt, Scriabin, Sibelius, and Duke Ellington reportedly experienced. Synesthesia inspired the …

Read more

1938 Recording: Manuel de Falla’s “Spanish Dance No. 1,” Fritz Kreisler

Manuel de Falla’s 1913 two act opera, La vida breve (“Life is Short”), is rarely performed today. Set in Granada, it tells the story of a young gypsy girl, Salud, who falls in love with the wealthy and seductive Paco. Despite their vow of eternal love, Paco abandons Salud to marry a woman of his own social class to whom he was already engaged. At the end of Paco’s wedding reception, he denies knowing Salud …

Read more

Ravel’s “Miroirs”: Reflections on the Nature of Reality

…the eye sees not itself, but by reflection, by some other things. -William Shakespeare  Maurice Ravel was fascinated by this line from the first act of Shakespeare’s Julius Caesar. Perhaps these words, laced with mysticism and challenging the nature of reality, are not so far off from the French symbolist aesthetic of the late nineteenth century. The line between reality and reflection blurs in Ravel’s five-movement suite for solo piano, Miroirs (“Reflections”), written …

Read more

Berlioz’ “Roman Carnival” Overture: A Blazing Explosion of Color

Hector Berlioz’ 1844 Treatise on Orchestration provided all future composers with an instruction manual for the modern orchestra. The book, which remains influential, discusses the range and tone colors of the instruments. In his foreword to the updated 1904 edition, Richard Strauss wrote that Berlioz’ orchestration was “full of ingenious visions, whose realization by Richard Wagner is obvious to every connoisseur.” Nowhere does the modern orchestra spring to life with greater brilliance than in Roman …

Read more

Manuel de Falla’s “The Three-Cornered Hat” Dances, Alicia de Larrocha

Manuel de Falla’s ballet score, El sombrero de tres picos (“The Three-Cornered Hat”) bathes in the bright colors of a searing Iberian sun. Filled with the infectious rhythms of Spanish dance, it is music which is sultry, exotic, and at times tantalizingly mysterious. The Three-Cornered Hat was commissioned by Sergei Diaghilev in 1919 and premiered the same year in London by the Ballets Russes. It expanded on de Falla’s two-scene pantomime, The Magistrate and the …

Read more

Shostakovich’s Symphony No. 11, “The Year 1905”: Revolution and Requiem

On January 22 [O.S. January 9], 1905, a date which is remembered as “Bloody Sunday,” thousands of peaceful, unarmed demonstrators marched to St. Petersburg’s Winter Palace. They intended to present a petition to Tsar Nicholas II. Many supported the Tsar and believed that he would help to address their economic, political, and social grievances. Assembled in the square, they sang God Save the Tsar; but a frightened Nicholas II had fled the palace. Inexplicably, …

Read more