Classical Period

Dusting Off Martini’s Gavotte

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This past Monday marked the birthday of Giovanni Battista Martini (1706-1784). The Italian composer and Conventual Franciscan Friar is now a mere footnote in the dusty pages of music history. But within the musical circles of eighteenth century Bologna, Martini was a respected figure. At the age of 19, he was appointed chapel-master of Bologna’s Basilica San Francesco (pictured above). He was a renowned teacher whose students included the young Mozart, J.C Bach, and Christoph Gluck. …

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Benjamin Appl: Schubert at Wigmore Hall

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As a followup to Wednesday’s post, here are three excerpts from an album of Schubert songs released last year by German baritone Benjamin Appl. The album was recorded live at London’s Wigmore Hall with pianist Graham Johnson accompanying. Am Bach im Fruhling In the 1816 song, Am Bach I’m frühling, D. 361 (“By the Brook in the Spring”), we can hear the flowing brook in the piano’s triplets. The brook seems to be a …

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Schubert’s “Unfinished” Symphony: Haunting, Mysterious, Groundbreaking

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Take a moment, hook in your best pair of headphones, maybe even close your eyes, and listen to the first haunting bars of Franz Schubert’s “Unfinished” Eighth Symphony. It begins with a single, hushed melodic line in the low strings which quickly gives way to shivering violins and darkly pulsating bass pizzicati. Then, a lamenting new voice enters- a strange, almost indistinguishable sonority which blends oboe and clarinet. Immediately, we’re drawn into …

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Beethoven’s “Spring” Sonata: Isabelle Faust

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A continuous vibrato is one of the key elements of modern violin playing. So it’s easy to forget that there was a time when vibrato was used much more sparingly as an ornament. Listen to German violinist Joseph Joachim’s 1903 recordings of Brahms’ Hungarian Dance No. 1 and No 2 and you’ll hear this older approach to sound. In a 2011 interview, German violinist Isabelle Faust discusses Joachim’s insistence on strict tempos and limited vibrato in Brahms’ …

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10 Musical Adaptations of “God Save the Queen”

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On Monday, Britain celebrated Queen Elizabeth II’s Sapphire Jubilee, marking her 65 years on the throne. At 90, Her Majesty is the world’s longest-reigning monarch. The milestone reminded me of the nearly 140 composers who have created musical adaptations of God Save the Queen, an ancient melody that may have originated in plainchant long before it was attributed to the English composer and organ-builder John Bull in 1619. Here are ten of the most …

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Beethoven’s Eighth Symphony: An Overlooked Gem

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When it came to writing symphonies, Beethoven seems to have ascribed to the wisdom of moderation. Beethoven’s odd numbered symphonies (especially, beginning with the Third) were big, heroic game changers. The first audiences must have been stunned by their bold innovations and their often ferocious, titanic energy. By contrast, the often-neglected even numbered symphonies are sometimes described as more “classical.” They open up a strikingly different, but equally thrilling, world. One of …

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The Struggle of Fidelio: Beethoven’s Four Overtures

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Rossini would have been a great composer if his teacher had spanked him enough on the backside. -Ludwig van Beethoven The Italian opera composer Gioachino Rossini was, as the story goes, the ultimate procrastinator. He would often dash off the overture for a new opera the night before the opening. In the case of The Thieving Magpie, he waited until the day of the opening. Sometimes he reused a previously written overture, substituting one frothy musical joyride for …

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