Classical Period

Mozart String Quintet in C Major: The Emerson Quartet and Kim Kashkashian

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The addition of one guest to an intimate gathering or party can change the dynamic, completely. Especially when the guest is a warmly welcomed newcomer. This is what we hear in Mozart’s String Quintet No. 3 in C Major, K. 515. It’s a piece written for string quartet with an added viola. That second viola changes the piece’s sound and vibe, dramatically. It becomes richer, warmer, and more sonorous. As a 16-year-old, Mozart was …

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New Release: Rachel Barton Pine’s Bel Canto Paganini

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Violinist Rachel Barton Pine tackles Paganini’s 24 Caprices with virtuosic flair and sonorous ease on her newest album, Bel Canto Paganini. The album’s title highlights the link between Paganini’s music and the “beautiful singing” melodic style of Italian opera composers like Rossini, Bellini, and Verdi. In addition to the Caprices, the two CD set includes a number of bonus tracks: Paganini’s Introduction and Variations on “Nel cor più non mi sento” from Paisiello’s La molinara, Duo merveille, Op. 6 “Duet …

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The Hollywood String Quartet: Five Classic Recordings

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The Hollywood String Quartet, formed in 1939 and active until 1961, is regarded as the first American-born chamber music group to rise to international prominence. Their fame was due, in large part, to their numerous and exceptional recordings. The members were all studio musicians who created the lush, glowing soundtracks of Hollywood’s “golden age.” First violinist Felix Slatkin, concertmaster of the 20th Century Fox Orchestra, and his wife Eleanor Aller, principal cellist …

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Dusting Off Martini’s Gavotte

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This past Monday marked the birthday of Giovanni Battista Martini (1706-1784). The Italian composer and Conventual Franciscan Friar is now a mere footnote in the dusty pages of music history. But within the musical circles of eighteenth century Bologna, Martini was a respected figure. At the age of 19, he was appointed chapel-master of Bologna’s Basilica San Francesco (pictured above). He was a renowned teacher whose students included the young Mozart, J.C Bach, and Christoph Gluck. …

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Benjamin Appl: Schubert at Wigmore Hall

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As a followup to Wednesday’s post, here are three excerpts from an album of Schubert songs released last year by German baritone Benjamin Appl. The album was recorded live at London’s Wigmore Hall with pianist Graham Johnson accompanying. Am Bach im Fruhling In the 1816 song, Am Bach I’m frühling, D. 361 (“By the Brook in the Spring”), we can hear the flowing brook in the piano’s triplets. The brook seems to be a …

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Schubert’s “Unfinished” Symphony: Haunting, Mysterious, Groundbreaking

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Take a moment, hook in your best pair of headphones, maybe even close your eyes, and listen to the first haunting bars of Franz Schubert’s “Unfinished” Eighth Symphony. It begins with a single, hushed melodic line in the low strings which quickly gives way to shivering violins and darkly pulsating bass pizzicati. Then, a lamenting new voice enters- a strange, almost indistinguishable sonority which blends oboe and clarinet. Immediately, we’re drawn into …

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Beethoven’s “Spring” Sonata: Isabelle Faust

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A continuous vibrato is one of the key elements of modern violin playing. So it’s easy to forget that there was a time when vibrato was used much more sparingly as an ornament. Listen to German violinist Joseph Joachim’s 1903 recordings of Brahms’ Hungarian Dance No. 1 and No 2 and you’ll hear this older approach to sound. In a 2011 interview, German violinist Isabelle Faust discusses Joachim’s insistence on strict tempos and limited vibrato in Brahms’ …

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