The Listeners’ Club

Brahms’ First Symphony: Walking in the Footsteps of a Giant

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I shall never write a symphony! You can’t have any idea what it’s like always to hear such a giant marching behind you! Johannes Brahms was nearing 40 when, in 1872, he wrote these words in a letter to the conductor Herman Levi. The “giant” was Beethoven, whose nine game-changing symphonies loomed like a dauntingly impassible mountain range in front of every nineteenth century composer who followed. By this time, Brahms was already …

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“Kinah”: Leonard Slatkin’s Musical Elegy to his Parents

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Elegies are, by nature, solemn, reflective, and reverent. They function as musical or poetic tombstones. Leonard Slatkin’s Kinah, premiered by the Detroit Symphony Orchestra in December, 2015, is all of these things. It’s also music filled with ghosts and faint echoes of distant, haunting voices. Leonard Slatkin grew up in Los Angeles in a prominent musical family. His father, Felix Slatkin, was concertmaster of the Twentieth Century Fox studio orchestra and a frequent …

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Prokofiev’s First Violin Concerto: Music in Technicolor

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Consider that iconic moment in the 1939 film, The Wizard of Oz, when black and white, tornado-swept Kansas dissolves into the technicolor brilliance of Oz. With the help of a magical cinematographic slight of hand, Dorothy steps into a luscious dreamscape in which every tree and flower seems to be coated in an extra-glossy sheen. The film’s colorfully surreal middle section is bookended by the “real world” of black and white, which returns in the …

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New Release: The Emerson’s “Chaconnes and Fantasias: Music of Britten and Purcell”

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The Emerson String Quartet’s newest album spans three hundred years of English music. Chaconnes and Fantasias: Music of Britten and Purcell balances twentieth century composer Benjamin Britten’s Second and Third String Quartets with Chaconnes and Fantasias by baroque composer Henry Purcell (1659-1695). This year marks the Emerson Quartet’s 40th anniversary. This latest recording is the first to included British cellist Paul Watkins, who joined the group in 2013. The Emerson Quartet approaches Purcell’s Fantasias (probably all …

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Dusting Off Martini’s Gavotte

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This past Monday marked the birthday of Giovanni Battista Martini (1706-1784). The Italian composer and Conventual Franciscan Friar is now a mere footnote in the dusty pages of music history. But within the musical circles of eighteenth century Bologna, Martini was a respected figure. At the age of 19, he was appointed chapel-master of Bologna’s Basilica San Francesco (pictured above). He was a renowned teacher whose students included the young Mozart, J.C Bach, and Christoph Gluck. …

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New Release: Tim Fain Plays Music of Lou Harrison

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Next month marks the one-hundredth anniversary of the birth of American composer Lou Harrison (1917-2003). Harrison, who was born in Portland, Oregon and spent most of his life on the West Coast, was a true maverick, both in terms of music and life. His music explored non-pitched instruments, just tuning (as opposed to equal temperment), and non-Western influences, including Javanese gamelan music. He once said, “Everything in the world should be considered a legitimate …

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Remembering Allan Holdsworth

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Allan Holdsworth, the legendary British-born jazz fusion guitarist, passed away earlier this month. He was 70. Holdsworths’ stunning virtuosity and harmonic innovations influenced rock guitarists such as Eddie Van Halen. He was called “the John Coltrane of the guitar.” In 1983, the New York Times’ Jon Pareles wrote: He pours out notes in a liquid rush without slurring a single one. His sense of harmony reveals itself in daring melodic extrapolations and in chords that …

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