Walter Piston’s Sixth Symphony: A Mid-Century American Masterwork

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The twentieth century American composer Walter Piston (1894-1976) is often remembered as an expert musical craftsman and academic. During his long tenure at Harvard (lasting from 1926 to 1960), his students included Samuel Adler, Leroy Anderson, Arthur Berger, Elliott Carter, and Leonard Bernstein. As a music theorist, he contributed three significant text books on the technical building blocks of music: Harmony (1941), Counterpoint (1947), and Orchestration (1955). Yet, the often-neglected music Piston left …

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Bach’s Harpsichord Concerto in D Minor, Jean Rondeau

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Listen carefully, and you may hear echos of Bach’s big, hearty belly laugh in the opening of the D minor Harpsichord Concerto, BWV 1052. This is music filled with ferocious vigor and an irreverent, reckless abandon comparable to a sports car driver speeding around a sharp curve. It begins as a single musical subject, played by all of the instruments in octaves, which unfolds with wild leaps and crazy, jagged rhythmic surprises. This …

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Enescu’s Piano Quintet in A Minor, The Schubert Ensemble

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George Enescu (1881-1955) is remembered as one of the twentieth century’s greatest violinists, and as the composer of the exhilarating, Gypsy-tinged Romanian Rhapsodies. Yet, a closer look at Enescu the composer reveals deep and substantive works that, strangely, remain hidden treasures. During Enescu’s lifetime, these pieces were overshadowed by the popularity and flash of the Rhapsodies. Later, they seem to have been lost in the shuffle as twentieth century music moved onward into …

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George Enescu and the Sounds of Romania

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Today marks the 139th anniversary of the birth of George Enescu (1881-1955), the great Romanian composer, violinist, pianist and conductor. Pablo Casals described Enescu as “the greatest musical phenomenon since Mozart.” Born in the small town of Liveni, Romania, he entered the Vienna Conservatory at the age of 7 and graduated with distinction before the age of 11. In 1895, he continued his studies in Paris, studying violin with Martin Pierre Marsick and …

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New Release: Michael Torke’s “Being”

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Being, the newest album of American composer Michael Torke (b. 1961), is a celebration of pulse and pattern. Written in 2019 and scored for a chamber orchestra of 24 instruments, the work is described in Torke’s program notes simply as “a continuous 43 minute composition, in 9 parts, whose tempo is a consistent 126 beats per minute.” Being plays tricks with our perception of time, centering us in the moment, and delivering an experience akin …

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Remembering Julian Bream

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Julian Bream, the English classical guitarist and lutenist has passed away. He was 87. Bream played a significant role in promoting the classical guitar as a solo instrument. He expanded the repertoire, inspiring new works by numerous twentieth century composers, including Benjamin Britten, Sir William Walton, Sir Michael Tippett, Peter Maxwell Davies, and Toru Takemitsu. One of the most influential works written for Bream is Benjamin Britten’s 1963 Nocturnal After John Dowland, Op. …

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Henry Eccles’ Violin Sonata in G Minor: Two Contrasting Recordings

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The enigmatic English baroque composer Henry Eccles (1670–1742) is most remembered for his Violin Sonata in G minor. It’s the eleventh in a set of twelve sonatas, published in 1720. Musicologists have discovered that large swaths of the collection were borrowed from the work of the innovative Italian composer and violinist, Giuseppe Valentini, specifically his Op. 8 from 1714. Most of the G minor Sonata appears to have been written by Eccles, …

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