LA Phil Isn’t Rattled by Earthquake

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It was a concert musicians and patrons likely won’t forget for a while. Charles Dutoit and the Los Angeles Philharmonic were six minutes into Ravel’s Daphnis and Chloé on the evening of March 28 when a 5.1-magnitude earthquake rumbled under downtown Los Angeles, jolting the ten year old Walt Disney Concert Hall. Dutoit and the orchestra continued to play through the minute-long event. Last Friday, the Los Angeles Philharmonic released this amazing audio along with …

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Beethoven’s Fifth Symphony

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Can you imagine how shocking the opening of Beethoven’s Symphony No. 5 in C minor, Op.67 must have been for audiences at the first performance in 1808? While the classical style of Mozart and Haydn was rooted in elegance and balance, Beethoven made the orchestra growl. There’s a sense of struggle, as if he’s impatiently pushing the classical orchestra to its limits. The entire symphony springs from the first ferocious four notes. It’s a study …

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Beethoven and the Turbulence of C Minor

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The key of C minor held special significance for Beethoven. Emotionally intense and stormy, C minor evoked the turbulence of an age of revolution. It embodied a sense of heroic struggle, which would form the bedrock of Romaticism. In Beethoven’s Piano Sonatas: A Short Companion, American pianist and musicologist Charles Rosen suggests that Beethoven’s C minor compositions are closely linked to the Romantic idea of the artist as hero: Beethoven in C minor …

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Rienzi in Dresden

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Last year, conductor Christian Thielemann and the Staatskapelle Dresden gave this electrifying performance of Wagner’s Rienzi Overture. Take a moment and listen: https://www.youtube.com/watch?v=IK9cKPCvXSw https://itunes.apple.com/nz/album/german-overtures/id30992198″]Find on iTunes http://www.amazon.com/Thielemann-My-Wagner-Album-Christian/dp/B00D6OIXRO”]Find on Amazon I love the way this overture grows out of a single trumpet call. The music slowly awakens, searching for a direction forward. Then, suddenly it opens up into one of Wagner’s most noble and majestic melodies (1:19). Premiering in Dresden in 1842, Rienzi was Wagner’s first big hit as …

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With Watch Magazine, Music Meets Marketing

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There was a time when major networks, such as CBS and NBC, employed their own orchestras (watch this clip of Arturo Toscanini leading the NBC Symphony) and television shows included a full minute of credits, accompanied by theme music. Revisit the opening of Cheers, compare it to the fast pace of today’s media and consider what we’ve lost. TV theme music allowed for reflection (even if it wasn’t deep reflection) and established the atmosphere of the …

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Carmen Fantasies

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Georges Bizet’s Carmen remains one of opera’s most popular hits, partly because of its rich and exotic melodies. These melodies were the inspiration for Spanish violinist Pablo de Sarasate’s Carmen Fantasy, written in 1883. In the nineteenth century, composers commonly used opera melodies as a springboard for new virtuoso showpieces. At the time, arias from Carmen and other operas would have fallen into the category of “popular music.” Franz Liszt wrote a  Fantasia on two themes from Mozart’s …

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Medea’s Dance of Vengeance

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Sometimes it’s hard to tell the difference between Greek mythology and a modern-day soap opera plot. A perfect example is the story of Medea and Jason, recounted in a play by Euripides from 431 BC. Jason marries Media, but leaves her for Glauce, daughter of Creon, the King of Corinth. Medea gruesomely avenges Jason’s betrayal by killing their children. This story was the subject of American composer Samuel Barber’s 1946 ballet score …

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