Four Musical Firsts

In celebration of the beginning of a new year, here are four pieces which qualify as musical “firsts.” Listen to the music on the list and then share your own favorite musical “firsts” in the comment thread below. Monteverdi’s “Orfeo” Let’s start with the birth of opera. Italian Renaissance composer Claudio Monteverdi (1567-1643) is often credited with singlehandedly inventing the art form. In reality, opera gradually evolved out of Intermedio, music and …

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Remembering Conductor Jerzy Semkow

Polish-born conductor Jerzy Semkow passed away last week at the age of 86. A longtime French citizen who resided in Paris, Semkow served as principal conductor of the National Opera in Warsaw (1959-1962), the Royal Danish Opera and Orchestra in Copenhagen (1966 to 1976), and as Music Director of the Orchestra of Radio-Televisione Italiana (RAI) in Rome. Between 1975 and 1979 he was Music Director of the Saint Louis Symphony Orchestra. Semkow enjoyed …

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Vaughan Williams’ Pastoral Symphony: Nature’s Lament

  With a title like A Pastoral Symphony, you might expect Ralph Vaughan Williams’ Third Symphony, completed in 1922, to evoke bubbling brooks and the quiet hedgerows of England’s “green and pleasant land.” But listen, and you’ll hear music which, instead, suggests a melancholy alienation from nature. The music feels strangely hazy and shell-shocked. Its pastures are the battlefields of the First World War, not the bucolic scenes of Beethoven’s Sixth Symphony or a Schubert …

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Tchaikovsky’s "Little Russian" Symphony

What happens when a series of folk songs becomes the seed for an entire symphony? The answer can be heard in Tchaikovsky’s Symphony No. 2, a piece which earned the nickname, “The Little Russian” because of its use of three Ukrainian folk melodies. (Since the Middle Ages, the Ukraine has commonly been called “Little Russia.”) This is Tchaikovsky’s most Eastern-looking symphony, the closest he came to the music of the largely self-taught, nationalist …

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A Resolution in Atlanta

The Atlanta Symphony’s two-month-long lockout ended over the weekend. With the help of federal mediation, musicians ratified a four year contract. The agreement halts ASO management’s attempt to gain “flexibility” by downsizing the orchestra, ensuring a compliment of 88 full time musicians by the contract’s final year. Read this article and visit Drew McManus’ Adaptistration for background and in-depth analysis. The lockout (the second in Atlanta in two years) has delayed the start of …

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Brahms’ Fourth: A Symphonic Swan Song

Take a moment and consider the vast number of nineteenth century symphonies which, in one way or another, take an unequivocal journey from darkness to light. The long arc of Beethoven’s Fifth Symphony, with its transcendent final movement, is a perfect example. In the opening of the last movement of Beethoven’s Fifth, C minor turns into C major, and the trombones (who wait through the first three movements without playing a note) suddenly add a …

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Remembering Christopher Hogwood

Conductor, harpsichordist, and early music scholar Christopher Hogwood passed away last week at the age of 73. He was an influential advocate of authentic performance practice and the use of period instruments. He helped pioneer a movement which attempted to recreate the original sound and style of baroque and classical music. In 1973 he founded the Cambridge, England-based Academy of Ancient Music. You can explore a collection of his lectures here and view …

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